Social and Cultural Dynamics, Zväzok 1Bedminster Press, 1962 - 2912 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 61.
Strana 272
... dominant among the " more ad- vanced , " the other among the " less advanced , " peoples . The dis- tribution of the styles does not show any such uniformity . The Visual type " does not develop from the [ ideational ] as the result of ...
... dominant among the " more ad- vanced , " the other among the " less advanced , " peoples . The dis- tribution of the styles does not show any such uniformity . The Visual type " does not develop from the [ ideational ] as the result of ...
Strana 310
... dominant . In other words , the change discussed was neither " decay " nor the " end " of the Graeco - Roman art ... dominant Visual form to the Ideational style which will be dominant throughout the Middle Ages . Such is the real nature ...
... dominant . In other words , the change discussed was neither " decay " nor the " end " of the Graeco - Roman art ... dominant Visual form to the Ideational style which will be dominant throughout the Middle Ages . Such is the real nature ...
Strana 318
... dominant in it up to the twelfth and even thirteenth century , in spite of several impor- tant changes in that art in other respects . As the Visual elements were increasing , after the ninth century , the eleventh and , in part ...
... dominant in it up to the twelfth and even thirteenth century , in spite of several impor- tant changes in that art in other respects . As the Visual elements were increasing , after the ninth century , the eleventh and , in part ...
Obsah
Chapter One FORMS AND PROBLEMS OF CULTURE INTEGRATION AND METHODS | 3 |
Sequence of Blossoming of the Main Arts in Ten Great Cultures | 8 |
Fluctuation of Social Classes and Sexes in Portraiture | 27 |
Autorské práva | |
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Časté výrazy a frázy
Active Ideational appear architecture artists Ascetic Ideational aspect baroque becomes Brahmanic Buddhism Byzantine art causal century B.C. chap Christian classes classical complex Confucianism cubistic culture mentality Deonna depicted dominant elements empirical Epicureanism existence external fifth century fluctuations functional G. G. Coulton given culture Graeco-Roman Greece Greek Gregorian chant Hellenistic Hinduism human Ibid ideal Idealistic art Ideational mentality Ideational style Ideationalism ideoplastic impressionism impressionistic individual Jainism linear logically integrated logico-meaningful Lysippus major premises malerisch means medieval Mixed mystic nature nineteenth Nirvana objects organs painting and sculpture paleolithic passim paysage Percentages period phenomena Phidias portraits primitive principle purely qualitative quantitative reality recurrence religion religious rococo Roman sculpture secular Sensate mentality Sensate music sense sensual similar social sociocultural spatial spiritual stage standpoint symbolic Taoism theories thirteenth century tion Total Numbers traits unity values various Visual art Visual style