Shakespeare and the English Romantic ImaginationClarendon Press, 1986 - 276 strán (strany) Although it is well known that the Romantics were obsessed with Shakespeare, little attention has been paid to the ways in which he influenced their creative practices and their theories of the imagination. This new work finally presents the fascinating picture of how the Romantics read Shakespeare and responded to the implications of his work for their own poetry. The book provides the first full critical discussion of Shakespeare and Wordsworth, explores the influence of the plays on the poetry of Blake and Coleridge, and offers a fresh account of Shakespeare's powerful presence in the letters and poems of Keats and Byron, and in Shelley's dramas. Taking issue with prevalent deconstructionist theories and Harold Bloom's ideas on "the anxiety of influence," Bate instead carefully illustrates the ways in which initial attempts at blind imitation were transformed into graceful poetic echo and allusion. |
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Strana 230
... Byron's bravado may be a mark of insecurity . A remark of Shelley's , recorded by Finlay , suggests that there was more to the matter than a desire to blaspheme against English values : " B. you are a most wonderful man . " How ...
... Byron's bravado may be a mark of insecurity . A remark of Shelley's , recorded by Finlay , suggests that there was more to the matter than a desire to blaspheme against English values : " B. you are a most wonderful man . " How ...
Strana 233
... Byron's lines . ' Byron's Romantic appropriations of Shakespeare are not restricted to Childe Harold's Pilgrimage ; there are also many instances in his Turkish tales . One could explore , say , parallels of character and action between ...
... Byron's lines . ' Byron's Romantic appropriations of Shakespeare are not restricted to Childe Harold's Pilgrimage ; there are also many instances in his Turkish tales . One could explore , say , parallels of character and action between ...
Strana 267
... Byron with the Countess of Blessington ( 1834 ) , 357 . 6. Another quotation reinforces our sense of Macbeth's relation to the theatricality of politics in the period : of his parliamentary career , Byron says that he has ' no intention ...
... Byron with the Countess of Blessington ( 1834 ) , 357 . 6. Another quotation reinforces our sense of Macbeth's relation to the theatricality of politics in the period : of his parliamentary career , Byron says that he has ' no intention ...
Obsah
Coleridge and the Problem of Inherited Language | 22 |
Shakespearean Voices in Coleridges Poetry | 43 |
Shakespeare in Wordsworth | 87 |
Autorské práva | |
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alluding argues Biographia Blake Blake's borrowing Byron Cenci century chapter character Coleridge Coleridge's context creative criticism death Don Juan dramatic Dream early echoes eighteenth eighteenth-century English poets essay father feeling genius ghost Hamlet Harold Bloom Hazlitt imagination imitation influence John Keats Kean Keats Keats's King Lear Kubla Khan language later Lear's letter lines literary Lord Byron lyric Lyrical Ballads Macbeth Measure for Measure metaphor Midsummer Night's Dream mind nature nightingale Notebook original Othello Palamabron Paradise Lost parallels passage passion phrase plagiarism play poem poet poet's poetic poetry preface quotation quoted reader repr Romantic says scene Shake Shakespeare Shakespeare and Milton Shakespearean allusion Shelley Shelley's sleep song sonnet spearean Spenser spirit stanza suggests supernatural Tempest Theseus things thou thought Tiriel tradition tragedy verse vision voice vols William William Blake words Wordsworth writing wrote