Shakespeare and the English Romantic ImaginationClarendon Press, 1986 - 276 strán (strany) Although it is well known that the Romantics were obsessed with Shakespeare, little attention has been paid to the ways in which he influenced their creative practices and their theories of the imagination. This new work finally presents the fascinating picture of how the Romantics read Shakespeare and responded to the implications of his work for their own poetry. The book provides the first full critical discussion of Shakespeare and Wordsworth, explores the influence of the plays on the poetry of Blake and Coleridge, and offers a fresh account of Shakespeare's powerful presence in the letters and poems of Keats and Byron, and in Shelley's dramas. Taking issue with prevalent deconstructionist theories and Harold Bloom's ideas on "the anxiety of influence," Bate instead carefully illustrates the ways in which initial attempts at blind imitation were transformed into graceful poetic echo and allusion. |
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Strana 2
... Harold Bloom only tells half the story . Coleridge placed Shakespeare and Milton as ' compeers not rivals ' on ' the two glory - smitten summits of the poetic mountain ' ( BL ii . 27 ) . Bloom , however , ignores Goethe on the ...
... Harold Bloom only tells half the story . Coleridge placed Shakespeare and Milton as ' compeers not rivals ' on ' the two glory - smitten summits of the poetic mountain ' ( BL ii . 27 ) . Bloom , however , ignores Goethe on the ...
Strana 4
... Harold Bloom is not interested in ' the transmission of ideas and images from earlier to later poets ' ; he says that this is ' just " something that happens , " . . . These are fair materials for source- hunters and biographers , and ...
... Harold Bloom is not interested in ' the transmission of ideas and images from earlier to later poets ' ; he says that this is ' just " something that happens , " . . . These are fair materials for source- hunters and biographers , and ...
Strana 266
... Bloom's term , a ' revisionary ' way . My own argument is much closer to that of Paul A. Cantor in his fine article , " " A Distorting Mirror " : Shelley's The Cenci and Shakespearean Tragedy ... Harold Bloom 266 Notes to pages 207-223 202.
... Bloom's term , a ' revisionary ' way . My own argument is much closer to that of Paul A. Cantor in his fine article , " " A Distorting Mirror " : Shelley's The Cenci and Shakespearean Tragedy ... Harold Bloom 266 Notes to pages 207-223 202.
Obsah
Coleridge and the Problem of Inherited Language | 22 |
Shakespearean Voices in Coleridges Poetry | 43 |
Shakespeare in Wordsworth | 87 |
Autorské práva | |
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alluding argues Biographia Blake Blake's borrowing Byron Cenci century chapter character Coleridge Coleridge's context creative criticism death Don Juan dramatic Dream early echoes eighteenth eighteenth-century English poets essay father feeling genius ghost Hamlet Harold Bloom Hazlitt imagination imitation influence John Keats Kean Keats Keats's King Lear Kubla Khan language later Lear's letter lines literary Lord Byron lyric Lyrical Ballads Macbeth Measure for Measure metaphor Midsummer Night's Dream mind nature nightingale Notebook original Othello Palamabron Paradise Lost parallels passage passion phrase plagiarism play poem poet poet's poetic poetry preface quotation quoted reader repr Romantic says scene Shake Shakespeare Shakespeare and Milton Shakespearean allusion Shelley Shelley's sleep song sonnet spearean Spenser spirit stanza suggests supernatural Tempest Theseus things thou thought Tiriel tradition tragedy verse vision voice vols William William Blake words Wordsworth writing wrote