ever, although the avowed lovers of antiquity,* were enthusiastic only in the pursuit of heathen learning, and justly merited the reproach of being more pagan than Christian. With the exception of such infrequent and transient visits, it would appear that this priceless treasury of Christian archæology and legacy of the primitive. church to the present age was completely forgotten till it was revealed to the eyes of a wondering world by the explorations of the sixteenth and following century.

*“Unanimes antiquitatis amatores."

CHAPTER IV.

THE REDISCOVERY AND

EXPLORATION OF THE

CATACOMBS.

It would seem that the rediscovery of the Catacombs was providentially reserved to a period especially adapted for their profitable study. In the fullness of time, when the great Reformation was emancipating the minds of men from the trammels of superstition, and long-venerated beliefs and usages were being compared with the still older primitive faith and practice, this marvellous testimony of the purity, simplicity, and piety of the early church was unveiled. These Christian evidences, which have no parallel save in the sacred scriptures themselves, after having been sealed up during the dark ages of ignorance and superstition, were brought to light in a period of intellectual quickening and revived classical learning, which stimulated the minds of men to the study of the past and to the rescue from oblivion of the priceless remains of antiquity. The newly-invented printing-press and the engraver's burin preserved the record of much that has since perished; and Roman archæologists, seeking in the monuments of antiquity for corroboration of papal doctrine and practice, brought to light the disproof of their existence in the early ages of the church. A rejection of this testimony would invalidate all monumental evidence, whether sacred or secular, concerning the past.

The rediscovery of this subterranean city took place

in the year 1578. Some labourers digging pozzolana in a vineyard on the Salarian Way came suddenly upon an ancient cemetery,* with its paintings, inscriptions, sarcophagi, and graves. The event produced a profound sensation in Rome. The city was amazed, says Baronius, who himself examined and described the newlydiscovered Catacomb, at finding beneath her suburbs long-concealed Christian colonies. † These ancient shrines became again favourite places of devotion. Here, among others, St. Charles Borromeo and St. Philip Neri spent whole nights in prayer.

The earliest systematic explorers of the Catacombs were Alfonso Ciacconio, a Spanish priest, and Philip de Winghe and Jean l'Heureux, two Flemish laymen. The voluminous MSS. and drawings of the two former, however, were never published, and they lie buried in those vast cemeteries of literature, the libraries of Rome, Naples, Brussels, and Paris. The valuable MS. of l'Heureux, the result of twenty years' labour, although ready for publication, and even licensed for printing, in 1605, remained unprinted for two centuries and a half, when it was given to the public by Padre Garrucci under the appropriate title of Hagioglypta.§ Such a lengthened period between licensing and publication is probably unparalleled in literary history.

*The Catacomb of St. Priscilla.

Ipsamet urbs obstupuit, cum abditas in suis suburbiis se novit habere civitatis Christianorum colonias.-Ann. Eccl., ann. 130. It is singular that in the very year of their rediscovery Onophrius Pavinius, an Augustinian friar, published an account of the Christian cemeteries entirely from the ancient documents of the church. Only three of them were then accessible, those of Sebastian, Lawrence, and Valentine.

Grecised into Joannes Macarius. § Paris, 1856.

To Antonio Bosio, a native of Malta and an advocate by profession, belongs the honour of first unveiling to the astonished gaze of Europe the wonders of this vast

city of the dead. He has well been called the Columbus of this subterranean world. Inspired and sustained by a lofty enthusiasm, he spent six and thirty years groping among those gloomy corridors, deciphering the half-effaced inscriptions, and making drawings of the remains of early Christian art. So habituated did he become to this troglodytic existence that the Cimmerian gloom of the Catacombs was more grateful to his eyes than the light of day, which dazzled and almost blinded him. His labours were prodigious, and often both severe and perilous. He had frequently to force a passage with his own hands through the accumulated rubbish of centuries, and was constantly in danger, in the zeal of exploration, of being lost in the windings of the galleries, from which danger he had some narrow escapes. In his great work he describes himself as rushing along with breathless haste, the desire with which he burned adding wings to his weary feet. Again he is creeping serpent-wise through the low and crumbling passages, consoling himself for the difficulty and discomfort by the thought that this lowly attitude befitted the humble and reverent spirit in which a place consecrated by such memories ought to be approached. But he was rewarded for all his toil by the discovery of "pictures bright with the colours of yesterday, and characters still sharp and angular from the primeval graving tool." The elder D'Israeli has cited Bosio as an illustrious example of the enthusiasm of genius. "Taking with him a hermit's meal for the week," he remarks, “this new Pliny often descended into the bowels of the earth by lamp-light, clearing away the sand and ruins till

some tomb broke forth or some inscription became legible, tracing the mouldering sculpture and catching the fading picture. Thrown back into the primitive ages of Christianity amidst the local impressions, the historian of the Christian Catacombs collected the memorials of an age and of a race which were hidden beneath the earth.”*

The literary industry of this pioneer explorer was immense. He carefully examined all the Latin, Greek, and Oriental Fathers; all the ecclesiastical records, canons, and decrees of councils; the lives of the saints, the acts of the martyrs-everything, in fact, which could illustrate the history of the Catacombs and of the early church. The result of these labours is seen in the bulky MS. volumes, of many thousand pages, written with his own hand, which are still extant in the Oratorian Library at Rome. He was not permitted to see the publication of his great work, in which was disclosed to the world the wonderful terra incognita lying so long hidden. beneath the busy life of the Eternal City, but died while writing the last chapter. It was too valuable a contribution to Christian archæology, however, to remain unpublished, and it was given to the world, under the appropriate title of "Subterranean Rome," † in the year 1632, or five years after its author's death.

This book contains an admirable topographical account of each cemetery which he had explored, taking in order the great consular roads leading from the city. Bosio's attempted identification of the cemeteries and

* Essay on the Literary Character. Eng. ed., p. 144.

+ Roma Sotteranea, opera postuma di Antonio Bosio composta disposta ed accresciuta da Giovanni di Severano, Sacerdote della Congregazione dell' Oratorio. Roma, 1632.

MacFarlane and Kip are in error as to the period of Bosio's labours, antedating them about thirty years.