Characters of Shakespeare's PlaysC. H. Reynell, 1818 - 352 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 41.
Strana xvi
... sense be a judge of poetry as it falls with- in the limits and rules of prose , but not as it is poetry . Least of all was he qualified to be a judge of Shakespear , who " alone is high fan- tastical . " Let those who have a prejudice ...
... sense be a judge of poetry as it falls with- in the limits and rules of prose , but not as it is poetry . Least of all was he qualified to be a judge of Shakespear , who " alone is high fan- tastical . " Let those who have a prejudice ...
Strana xvii
... sense and practical wis- dom , rather than of genius or feeling . He retained the regular , habitual impressions of actual objects , but he could not follow the rapid flights of fancy , or the strong movements of pas- sion . That is ...
... sense and practical wis- dom , rather than of genius or feeling . He retained the regular , habitual impressions of actual objects , but he could not follow the rapid flights of fancy , or the strong movements of pas- sion . That is ...
Strana xix
... sense ; nor do we think he would have any very profound feeling of the beauty of the passages here re- ferred to . A stately common - place , such as Congreve's description of a ruin in the Mourn- ing Bride , would have answered ...
... sense ; nor do we think he would have any very profound feeling of the beauty of the passages here re- ferred to . A stately common - place , such as Congreve's description of a ruin in the Mourn- ing Bride , would have answered ...
Strana xx
... sense of delight accompanying it by something still more beautiful , and no one can feel this passionate love of nature without quick natural sensibility . To a mere literal and formal apprehension , the inimitably characteristic epi ...
... sense of delight accompanying it by something still more beautiful , and no one can feel this passionate love of nature without quick natural sensibility . To a mere literal and formal apprehension , the inimitably characteristic epi ...
Strana 3
... sense of weak- ness leaning on the strength of its affections for support , so well as Shakespear - no one ever so well painted natural tenderness free from affec- tation and disguise - no one else ever so well shewed how delicacy and ...
... sense of weak- ness leaning on the strength of its affections for support , so well as Shakespear - no one ever so well painted natural tenderness free from affec- tation and disguise - no one else ever so well shewed how delicacy and ...
Iné vydania - Zobraziť všetky
Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt Úplné zobrazenie - 1920 |
Časté výrazy a frázy
admirable affections Antony Apemantus banished Banquo beauty blood Bolingbroke breath Brutus Cæsar Caliban Cassius character Claudio comedy comic Cordelia Coriolanus CYMBELINE daughter death Desdemona Dost thou doth eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave Guiderius Hamlet hath hear heart heaven Henry honour Hubert human humour Iago imagination Juliet JULIUS CÆSAR king lady Lear live look lord Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince racter refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shake Shakespear shew shewn sion Sir Toby sleep soul speak spear speech spirit story striking sweet tender thee thing thou art thought tion Titus Andronicus tongue tragedy true truth unto wife words Yorkshire Tragedy youth