Shakespeare's Early TragediesMethuen, 1968 - 214 strán (strany) Shakespeare's Early Tragedies contains studies of six plays: Titus Andronicus, Richard III, Romeo and Juliet, Richard II, Julius Caesar and Hamlet. The emphasis is on the variety of the plays, and the themes, a variety which has been too often obscured by the belief in a single 'tragic experience'. The kind of experience the plays create and their quality as dramatic works for the stage are also examined. These essays develop an understanding of Shakespeare's use of the stage picture in relation to the emblematic imagery of Elizabethan poetry. |
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Strana 138
Nicholas Brooke. Julius Caesar [ 1599 ] - I - There is a gap of three years between Richard II and Julius Caesar , during which ( as far as we know ) Shakespeare wrote no tragedies . It hardly seems time enough to fuss about , but in ...
Nicholas Brooke. Julius Caesar [ 1599 ] - I - There is a gap of three years between Richard II and Julius Caesar , during which ( as far as we know ) Shakespeare wrote no tragedies . It hardly seems time enough to fuss about , but in ...
Strana 161
... Caesar ' . In other words , Brutus ' tragedy , of noble error , in which Cassius has fat enough to participate , has been a part of the play ; but never till now was it the whole . The questioning of values , the ... Julius Caesar 161.
... Caesar ' . In other words , Brutus ' tragedy , of noble error , in which Cassius has fat enough to participate , has been a part of the play ; but never till now was it the whole . The questioning of values , the ... Julius Caesar 161.
Strana 209
... JULIUS CAESAR G. WILSON KNIGHT : The Imperial Theme , 1931 . L. KIRSCHBAUM : ' Shakespeare's Stage Blood and its Critical Signifi- cance ' , P.M.L.A. , 64 , 1949 , 517-29 . R. A. FOAKES : ' An Approach to Julius Caesar ' , Shakespeare ...
... JULIUS CAESAR G. WILSON KNIGHT : The Imperial Theme , 1931 . L. KIRSCHBAUM : ' Shakespeare's Stage Blood and its Critical Signifi- cance ' , P.M.L.A. , 64 , 1949 , 517-29 . R. A. FOAKES : ' An Approach to Julius Caesar ' , Shakespeare ...
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Aaron action ambivalence Antony audience beast becomes blank verse blood Bolingbroke Brutus Cassius character choric Clarence Clarence's Claudius climax comedy comic conscience contrast course criticism curse death divine doth Dover Wilson dramatic dream earlier plays echoes Elizabethan emblem emblematic emerges established experience fact Faerie Queene father figure final formal ghost Hamlet hath heaven and hell Henry heroic Horatio human irony judgement Julius Caesar kind king Laertes later plays Lavinia Lucius Lucrece Marcus Margaret Mercutio mode murder nature night nobility noble obvious Ophelia pattern play's poetic poetry political Polonius prose Queen Queen Mab question Rape of Lucrece revenge rhetorical Richard Richard II ritual Roman Rome Romeo and Juliet Saturninus scene seems sense sequence Shakespeare significance simple soliloquy Spanish Tragedy speech splendour stage storm stress structure suggested Tamora thee theme thing thou tion Titus Andronicus tone tragedy tragic utterance words