Shakespeare's Early TragediesMethuen, 1968 - 214 strán (strany) Shakespeare's Early Tragedies contains studies of six plays: Titus Andronicus, Richard III, Romeo and Juliet, Richard II, Julius Caesar and Hamlet. The emphasis is on the variety of the plays, and the themes, a variety which has been too often obscured by the belief in a single 'tragic experience'. The kind of experience the plays create and their quality as dramatic works for the stage are also examined. These essays develop an understanding of Shakespeare's use of the stage picture in relation to the emblematic imagery of Elizabethan poetry. |
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Strana 44
... tragic hero himself before the tragic balance can be fully assured . In the tragic heroes from Richard II onwards , including Brutus , one can see an emergent wickedness that involves a wider range of our response . X Act IV ends with ...
... tragic hero himself before the tragic balance can be fully assured . In the tragic heroes from Richard II onwards , including Brutus , one can see an emergent wickedness that involves a wider range of our response . X Act IV ends with ...
Strana 79
... tragic dilemma of his own orthodoxy : the orderly predestinate scheme destroys the dignity of man . The result is in no sense a sentimentalizing of Richard . It is , however ( as A. P. Rossiter insisted ) , supremely ambivalent : a ...
... tragic dilemma of his own orthodoxy : the orderly predestinate scheme destroys the dignity of man . The result is in no sense a sentimentalizing of Richard . It is , however ( as A. P. Rossiter insisted ) , supremely ambivalent : a ...
Strana 81
... tragic themes , the highly self - conscious organization and control of utterance , and in these respects there is a marked resemblance to Romeo . The tragic themes are again multiplied , and the range of verse and prose is both wider ...
... tragic themes , the highly self - conscious organization and control of utterance , and in these respects there is a marked resemblance to Romeo . The tragic themes are again multiplied , and the range of verse and prose is both wider ...
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Aaron action ambivalence Antony audience beast becomes blank verse blood Bolingbroke Brutus Cassius character choric Clarence Clarence's Claudius climax comedy comic conscience contrast course criticism curse death divine doth Dover Wilson dramatic dream earlier plays echoes Elizabethan emblem emblematic emerges established experience fact Faerie Queene father figure final formal ghost Hamlet hath heaven and hell Henry heroic Horatio human irony judgement Julius Caesar kind king Laertes later plays Lavinia Lucius Lucrece Marcus Margaret Mercutio mode murder nature night nobility noble obvious Ophelia pattern play's poetic poetry political Polonius prose Queen Queen Mab question Rape of Lucrece revenge rhetorical Richard Richard II ritual Roman Rome Romeo and Juliet Saturninus scene seems sense sequence Shakespeare significance simple soliloquy Spanish Tragedy speech splendour stage storm stress structure suggested Tamora thee theme thing thou tion Titus Andronicus tone tragedy tragic utterance words