Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 22.
Strana 57
... comedy in general ; and its novelistic quality , that drive towards three - dimensional characterisation which forces us to stand back and allow the characters , at whatever risk , to come out of their dramatic framework ; for both of ...
... comedy in general ; and its novelistic quality , that drive towards three - dimensional characterisation which forces us to stand back and allow the characters , at whatever risk , to come out of their dramatic framework ; for both of ...
Strana 84
... comedy , by sustaining his part after they have abandoned theirs . He will remain in Arden while they return to court , and his consistency lends a certain authority to his wry benedictions . As he awaits the next party of ' convertites ...
... comedy , by sustaining his part after they have abandoned theirs . He will remain in Arden while they return to court , and his consistency lends a certain authority to his wry benedictions . As he awaits the next party of ' convertites ...
Strana 166
... comedy are immediately allowed by Miss Campbell to sink back beneath the dark waters of Elizabethan medical jargon . But it surely raises important questions . Harry Levin allows himself a slightly bolder flirtation with the idea ...
... comedy are immediately allowed by Miss Campbell to sink back beneath the dark waters of Elizabethan medical jargon . But it surely raises important questions . Harry Levin allows himself a slightly bolder flirtation with the idea ...
Obsah
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Autorské práva | |
13 zvyšných častí nezobrazených
Časté výrazy a frázy
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words