Shakespeare's Tragic SequenceBarnes & Noble Books, 1979 - 207 strán (strany) The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 19.
Strana 7
... believe , that many good books on Shakespeare's tragedies have been damaged by attempting to apply a particular definition to all the plays . Another reviewer qualified his praise by suggesting that the book was lacking in originality ...
... believe , that many good books on Shakespeare's tragedies have been damaged by attempting to apply a particular definition to all the plays . Another reviewer qualified his praise by suggesting that the book was lacking in originality ...
Strana 14
... believe that Lucrece wanted to be raped , that the Ghost in Hamlet comes from hell , that Edgar has ' a touch of his father's pleasant vices ' , and that Cordelia is self - righteous . Professor Battenhouse turns Shakespeare into a ...
... believe that Lucrece wanted to be raped , that the Ghost in Hamlet comes from hell , that Edgar has ' a touch of his father's pleasant vices ' , and that Cordelia is self - righteous . Professor Battenhouse turns Shakespeare into a ...
Strana 112
... believe that the motives he has pro- duced during the course of the play are mere rationalisations in which he doesn't himself believe and that he can hardly say that he has acted from an irrational hatred of Othello , or that , being ...
... believe that the motives he has pro- duced during the course of the play are mere rationalisations in which he doesn't himself believe and that he can hardly say that he has acted from an irrational hatred of Othello , or that , being ...
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action actor Antony's appears argued audience avenger Banquo behaviour Bolingbroke Bradley Brutus Caesar Cassio cause character Claudius Coleridge confesses conscience contrast Cordelia Coriolanus critics death declares deed Desdemona devil doth dramatic dramatist Edgar Elizabethan evil father fear feeling fool Fortinbras Gertrude Ghost Gloucester gods Goneril Guildenstern guilt Hamlet hates hath heart heaven hell Horatio horror Iago Iago's imagery images jealous kill King Lear L. C. Knights Lady Macbeth Laertes Lear's lovers Menenius merely mind moral motive murder nature night noble Ophelia Othello passion play Plutarch poet Polonius Professor Queen realise Regan regarded revealed revenge Richard Richard II Roderigo Roman Rome Romeo and Juliet Rosencrantz says scene Shake Shakespeare Shakespearian soliloquy soul speaks speech spirit stage suggested suicide tells thee thou thought Timon Timon of Athens Titus Andronicus tragedies tragic hero true villain virtue wife Wilson Knight words