Shakespeare's Tragic SequenceBarnes & Noble Books, 1979 - 207 strán (strany) The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. |
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Výsledky 1 - 3 z 14.
Strana 65
... confesses that he is justly killed with his own treachery , and asks his ' noble ' opponent to exchange forgiveness , though putting the blame on the King . Harold Jenkins protests20 against the view that Laertes is ' some sort of ...
... confesses that he is justly killed with his own treachery , and asks his ' noble ' opponent to exchange forgiveness , though putting the blame on the King . Harold Jenkins protests20 against the view that Laertes is ' some sort of ...
Strana 77
... confesses to her that he is mad in craft and calls her belief that he is mad indeed a flattering unction which will hinder her repentance . But by this time he has used insulting and threatening words to the King and killed Polonius so ...
... confesses to her that he is mad in craft and calls her belief that he is mad indeed a flattering unction which will hinder her repentance . But by this time he has used insulting and threatening words to the King and killed Polonius so ...
Strana 123
... confesses : ' I stumbled when I saw . ' He sees the truth only after he has lost his eyes . In the last scene of the play Edgar speaks of the conceiving of the bastard as an act of spiritual blindness which was the ultimate cause of his ...
... confesses : ' I stumbled when I saw . ' He sees the truth only after he has lost his eyes . In the last scene of the play Edgar speaks of the conceiving of the bastard as an act of spiritual blindness which was the ultimate cause of his ...
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action actor Antony's appears argued audience avenger Banquo behaviour Bolingbroke Bradley Brutus Caesar Cassio cause character Claudius Coleridge confesses conscience contrast Cordelia Coriolanus critics death declares deed Desdemona devil doth dramatic dramatist Edgar Elizabethan evil father fear feeling fool Fortinbras Gertrude Ghost Gloucester gods Goneril Guildenstern guilt Hamlet hates hath heart heaven hell Horatio horror Iago Iago's imagery images jealous kill King Lear L. C. Knights Lady Macbeth Laertes Lear's lovers Menenius merely mind moral motive murder nature night noble Ophelia Othello passion play Plutarch poet Polonius Professor Queen realise Regan regarded revealed revenge Richard Richard II Roderigo Roman Rome Romeo and Juliet Rosencrantz says scene Shake Shakespeare Shakespearian soliloquy soul speaks speech spirit stage suggested suicide tells thee thou thought Timon Timon of Athens Titus Andronicus tragedies tragic hero true villain virtue wife Wilson Knight words