The clash of the hail sweeps over the plain –
Night is coming!

SECOND SPIRIT

I see the light, and I hear the sound;
I'll sail on the flood of the tempest dark,
With the calm within and the light around
Which makes night day;

And thou, when the gloom is deep and stark,
Look from thy dull earth, slumber-bound;
My moon-like flight thou then mayst mark
On high, far away.

Some say there is a precipice

Where one vast pine is frozen to ruin
O'er piles of snow and chasms of ice
Mid Alpine mountains;

And that the languid storm pursuing
That winged shape forever flies
Round those hoar branches, aye renewing
Its aëry fountains.

Some say when nights are dry and clear,
And the death-dews sleep on the morass,
Sweet whispers are heard by the traveller,
Which make night day;

And a silver shape like his early love doth pass,
Upborne by her wild and glittering hair,
And, when he awakes on the fragrant grass,
He finds night day.

31 moon-like, Mrs. Shelley, 1824 || moonlight, Mrs. Shelley, 18391.
44 makes, Mrs. Shelley, 1824.

LETTER TO MARIA GISBORNE

LEGHORN, July 1, 1820.

THE spider spreads her webs whether she be
In poet's tower, cellar, or barn, or tree ;
The silkworm in the dark green mulberry leaves
His winding sheet and cradle ever weaves;
So I, a thing whom moralists call worm,
Sit spinning still round this decaying form,
From the fine threads of rare and subtle thought
No net of words in garish colors wrought
To catch the idle buzzers of the day

But a soft cell, where when that fades away
Memory may clothe in wings my living name
And feed it with the asphodels of fame,
Which in those hearts which must remember me
Grow, making love an immortality.

Whoever should behold me now, I wist,
Would think I were a mighty mechanist,
Bent with sublime Archimedean art
To breathe a soul into the iron heart

Of some machine portentous, or strange gin,
Which by the force of figured spells might win
Its way over the sea, and sport therein;

For round the walls are hung dread engines, such
As Vulcan never wrought for Jove to clutch
Ixion or the Titan, or the quick

Letter to Maria Gisborne. Mrs. Shelley, 18391 || Letter to Mrs. Shelley, 1824. Published by Mrs. Shelley, 1824.

2 cellar, or barn, Mrs. Shelley, 1824 || cellar, barn, Mrs. Shelley, transcript.

13 must, Boscombe MS. || most, Mrs. Shelley, transcript, 1824.

Wit of that man of God, St. Dominic,
To convince Atheist, Turk or Heretic,
Or those in philanthropic council met,

Who thought to pay some interest for the debt
They owed to Jesus Christ for their salvation,
By giving a faint foretaste of damnation
To Shakespeare, Sidney, Spenser and the rest
Who made our land an island of the blest,
When lamp-like Spain, who now relumes her fire
On Freedom's hearth, grew dim with Empire: -
With thumbscrews, wheels, with tooth and spike
and jag,

Which fishers found under the utmost crag
Of Cornwall and the storm-encompassed isles,
Where to the sky the rude sea rarely smiles
Unless in treacherous wrath, as on the morn
When the exulting elements in scorn,
Satiated with destroyed destruction, lay
Sleeping in beauty on their mangled prey,
As panthers sleep: - and other strange and dread
Magical forms the brick floor overspread -
Proteus transformed to metal did not make
More figures, or more strange; nor did he take
Such shapes of unintelligible brass,

Or heap himself in such a horrid mass
Of tin and iron, not to be understood,

And forms of unimaginable wood

27 philanthropic, Boscombe MS. || philosophic, Mrs. Shelley, transcript, 1824.

29 Mrs. Shelley, 18392 || They owed Mrs. Shelley, 1824. 36 Which fishers, Boscombe MS., Mrs. Shelley, transcript || Which fishes, Mrs. Shelley, 1824, With fishes, Mrs. Shelley, 18391. 38 rarely, Mrs. Shelley, transcript || seldom, Mrs. Shelley, 1824. 49 and, Mrs. Shelley, 1824 || or, Mrs. Shelley, transcript.

To puzzle Tubal Cain and all his brood;

Great screws, and cones, and wheels, and groovèd blocks,

The elements of what will stand the shocks

Of wave and wind and time. Upon the table More knacks and quips there be than I am able To catalogize in this verse of mine :

A pretty bowl of wood - not full of wine,

But quicksilver; that dew which the gnomes drink When at their subterranean toil they swink, Pledging the demons of the earthquake, who Reply to them in lava- cry halloo !

And call out to the cities o'er their head,

Roofs, towers and shrines, the dying and the dead, Crash through the chinks of earth

quaff

and then all

Another rouse, and hold their sides and laugh.
This quicksilver no gnome has drunk — within
The walnut bowl it lies, veinèd and thin,

In color like the wake of light that stains

The Tuscan deep, when from the moist moon rains The inmost shower of its white fire the breeze Is still blue heaven smiles over the pale seas.

And in this bowl of quicksilver - for I
Yield to the impulse of an infancy

Outlasting manhood—I have made to float
A rude idealism of a paper boat,

A hollow screw with

cogs Henry will know The thing I mean and laugh at me, if so He fears not I should do more mischief. Next Lie bills and calculations much perplexed, With steamboats, frigates, and machinery quaint

63 towers, Mrs. Shelley, transcript || towns, Mrs. Shelley, 1824.

Traced over them in blue and yellow paint.
Then comes a range of mathematical
Instruments, for plans nautical and statical;
A heap of rosin, a queer broken glass
With ink in it; a china cup that was
What it will never be again, I think,

A thing from which sweet lips were wont to drink
The liquor doctors rail at- and which I

Will quaff in spite of them and when we die
We'll toss up who died first of drinking tea,
And cry out, "heads or tails?" where'er we be.
Near that a dusty paint box, some odd hooks,
A half-burnt match, an ivory block, three books,
Where conic sections, spherics, logarithms,
To great Laplace from Saunderson and Sims,
Lie heaped in their harmonious disarray
Of figures, disentangle them who may.
Baron de Tott's Memoirs beside them lie,
And some odd volumes of old chemistry.
Near those a most inexplicable thing,
With lead in the middle - I'm conjecturing
How to make Henry understand; but no
I'll leave, as Spenser says, with many mo,
This secret in the pregnant womb of time,
Too vast a matter for so weak a rhyme.

And here like some weird Archimage sit I, Plotting dark spells, and devilish enginery,

84 queer, Boscombe MS. || green, Mrs. Shelley, transcript, 1824. 92 odd hooks, Mrs. Shelley transcript || old hooks, Mrs. Shelley, 1824, old books, Mrs. Shelley, 18391.

100 those Mrs. Shelley, transcript || them, Mrs. Shelley, 1824.

101 lead, Boscombe MS. || least, Mrs. Shelley, transcript, 1824.