Troilus and CressidaCambridge University Press, 11. 9. 2003 Troilus and Cressida, long considered one of Shakespeare's most problematic plays, is both difficult and fascinating. Largely neglected during the eighteenth and nineteenth centuries it has recently proved popular and rewarding on the stage as well as in the study. This edition questions certain received ideas about the play's text, especially the relationship between quarto and folio and offers several new readings of old problems. Dawson's textual choices are often surprising but at the same time carefully grounded. He views the play from a performance perspective - both in the commentary as well as in the detailed section on stage history in the introduction. The introduction also covers the cultural context in which the play was written, probes the controversy about its early performance and provides extensive analysis of character, language, genre and contemporary significance. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 39.
Strana
Prepáčte, obsah tejto strany je neprístupný.
Prepáčte, obsah tejto strany je neprístupný.
Strana
Prepáčte, obsah tejto strany je neprístupný.
Prepáčte, obsah tejto strany je neprístupný.
Strana
Prepáčte, obsah tejto strany je neprístupný.
Prepáčte, obsah tejto strany je neprístupný.
Strana
Prepáčte, obsah tejto strany je neprístupný.
Prepáčte, obsah tejto strany je neprístupný.
Strana
Prepáčte, obsah tejto strany je neprístupný.
Prepáčte, obsah tejto strany je neprístupný.
Obsah
List of illustrations | |
List of abbreviations and conventions | |
Note on the text | |
epistle to the reader | |
Iné vydania - Zobraziť všetky
Časté výrazy a frázy
Achilles Aeneas Agamemnon Ajax Ajax’s Antenor audience battle Calchas Capell subst CASSANDRA characters Chaucer Collation notes Commentary notes compositor conj DEIPHOBUS Diomed Diomedes doth edited editors Elizabethan emendation Enter Exeunt Exit eyes F subst fight Folio fool foul papers give Greek camp Hanmer hath Hector Helen hence Heywood’s Honigmann honour Iliad Inns of Court kind King kiss line Q lord lovers meaning Menelaus metaphor Myrmidons Nestor notes for Act onstage Pandarus Paris passage Patroclus performance perhaps phrase play play’s praise Priam pride prince production Prologue prose Q Q and F quarto reading reference revision Rowe subst Sam Mendes satirical scene seems sense sexual Shakespeare speak speech stage suggests sweet sword tell tent Textual Analysis theatre theatrical thee Theobald there’s Thersites thou Troilus and Cressida Trojan Troy trumpet Ulysses variants Variorum vols warriors what’s William William Shakespeare word