The British and Foreign Review: Or, European Quarterly Journal, Zväzok 13 |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 99.
Strana
Essai sur l ' Idéal dans ses applications pratiques aux arts du Dessein . Paris ,
1837 . 5 . De Quincey . Essay on the Nature , the End , and the Means of Imitation
in the Fine Arts . Translated by J . C . Kent . London , 1827 . . 1 Page ARTICLE II .
Essai sur l ' Idéal dans ses applications pratiques aux arts du Dessein . Paris ,
1837 . 5 . De Quincey . Essay on the Nature , the End , and the Means of Imitation
in the Fine Arts . Translated by J . C . Kent . London , 1827 . . 1 Page ARTICLE II .
Strana
Or, European Quarterly Journal. ARTICLE Page V . - 1 . Observations on the
Oriental Plague , and on Quarantines as a means of arresting its progress ;
addressed to the British Association of Science assembled at Newcastle in
August 1838 .
Or, European Quarterly Journal. ARTICLE Page V . - 1 . Observations on the
Oriental Plague , and on Quarantines as a means of arresting its progress ;
addressed to the British Association of Science assembled at Newcastle in
August 1838 .
Strana 1
4 . QUATREMÈRE DE QUINCEY . Essai sur l ' Idéal dans ses applications
pratiques aux arts du Dessein . Paris , 1837 . 5 . De Quincey . Essay on the
Nature , the End , and the Means of Imitation in the Fine Arts . Translated by J . C .
Kent .
4 . QUATREMÈRE DE QUINCEY . Essai sur l ' Idéal dans ses applications
pratiques aux arts du Dessein . Paris , 1837 . 5 . De Quincey . Essay on the
Nature , the End , and the Means of Imitation in the Fine Arts . Translated by J . C .
Kent .
Strana 3
This is what the artist may be tempted in his despair to ask himself . There are
some critics indeed who put forth deep and comprehensive views , evincing a
perfect appreciation and knowledge of the aim and means of art , but they might
easily ...
This is what the artist may be tempted in his despair to ask himself . There are
some critics indeed who put forth deep and comprehensive views , evincing a
perfect appreciation and knowledge of the aim and means of art , but they might
easily ...
Strana 4
Such is æsthetics as a science — the à - priori theory of Art - the absolute
statement of the conditions , means and end of Art , rigorously deduced from
philosophical principles . Criticism of course , if it would be philosophical , must
grow out of ...
Such is æsthetics as a science — the à - priori theory of Art - the absolute
statement of the conditions , means and end of Art , rigorously deduced from
philosophical principles . Criticism of course , if it would be philosophical , must
grow out of ...
Čo hovoria ostatní - Napísať recenziu
Na obvyklých miestach sme nenašli žiadne recenzie.
Iné vydania - Zobraziť všetky
The British and Foreign Review: Or, European Quarterly Journal ..., Zväzok 10 Úplné zobrazenie - 1840 |
Časté výrazy a frázy
ancient appear artists beautiful become believe better called cantons cause century character Christian church classes collection condition considered constitution criticism doubt duty effect engraved equally evidence execution existence expression eyes fact feeling France French gems German gipsy give given hand head heart human idea important influence interest Italy Jews king known labour land learned least less lived look manner matter means mind moral nature never object observed once opinion original painting party passed period persons poet poetry political Pope possess present principle produce question readers reason received religion remarkable respect seems society spirit taste thing thought tion true truth whole writers
Populárne pasáže
Strana 6 - The other shape, If shape it might be call'd, that shape had none Distinguishable in member, joint, or limb, Or substance might be call'd that shadow seem'd, For each seem'd either ; black it stood as night, Fierce as ten furies, terrible as hell, And shook a dreadful dart ; what seem'd his head The likeness of a kingly crown had on.
Strana 474 - Fear ye not me? Saith the LORD: will ye not tremble at my presence, which have placed the sand for the bound of the sea by a perpetual decree, that it cannot pass it: and though the waves thereof toss themselves, yet can they not prevail; though they roar, yet can they not pass over it?
Strana 12 - I see before me the gladiator lie : He leans upon his hand ; his manly brow Consents to death, but conquers agony, And his drooped head sinks gradually low ; And through his side the last drops, ebbing slow From the red gash, fall heavy, one by one, Like the first of a thunder-shower ; and now The arena swims around him ; he is gone, Ere ceased the inhuman shout which hailed the wretch who won.
Strana 525 - Westward the course of empire takes its way, The four first acts already past, A fifth shall close the drama with the day : Time's noblest offspring is the last.
Strana 9 - The breath and finer spirit of all knowledge, The impassioned expression Which is in the countenance of all science.
Strana 25 - Poets, according to the circumstances of the age and nation in which they appeared, were called, in the earlier epochs* of the world, legislators or prophets : a poet essentially comprises and unites both these characters. For he not only beholds intensely the present as it is, and discovers those laws according to which present things ought to be ordered, but he beholds the future in the present, and his thoughts are the germs of the flower and the fruit of latest time.
Strana 534 - The strenuous toil of the gentleman has been to raise an inconsistency between my dissent to the tariff in 1824 and my vote in 1828. It is labor lost. He pays undeserved compliment to my speech in 1824; but this is to raise me high, that my fall, as he would have it, in 1828, may be more signal.
Strana 15 - Poetry and eloquence are both alike the expression or utterance of feeling. But if we may be excused the antithesis, we should say that eloquence is heard, poetry is overheard. Eloquence supposes an audience; the peculiarity of poetry appears to us to lie in the poet's utter unconsciousness of a listener.
Strana 15 - Eloquence supposes an audience; the peculiarity of poetry appears to us to lie in the poet's utter unconsciousness of a listener. Poetry is feeling confessing itself to itself, in moments of solitude, and embodying itself in symbols which are the nearest possible representations of the feeling in the exact shape in which it exists in the poet's mind.
Strana 535 - Having voted against the tariff originally, does consistency demand that I should do all in my power to maintain an unequal tariff, burdensome to my own constituents in many respects, favorable in none? To consistency of that sort, I lay no claim. And there is another sort to which I lay as little, and that is, a kind of consistency by which persons feel themselves as much bound to oppose a proposition after it has become a law of the land as before.