Romeo and JulietIgnatius Press, 2. 2. 2011 - 261 strán (strany) Contributors to this Volume: James Bemis ""Star-crossed"" Romeo and Juliet are Shakespeare's most famous lovers. A staple of high school reading lists, the tragedy especially resonates with young adult readers who, like Romeo and Juliet, have experienced the exhilarating and perilous phenomenon of being ""in love"". Given the tragic ending of the play, what does Shakespeare illustrate about his teen protagonists: Are they the hapless victims of fate, or are they responsible for the poor choices they make? Is their love the ""real thing"", or is it self-indulgent passion run amok? These are some of the ever relevant questions discussed in this critical edition of Romeo and Juliet. The Ignatius Critical Editions represent a tradition-oriented alternative to popular textbook series such as the Norton Critical Editions or Oxford World Classics, and are designed to concentrate on traditional readings of the Classics of world literature. While many modern critical editions have succumbed to the fads of modernism and post-modernism, this series will concentrate on tradition-oriented criticism of these great works. Edited by acclaimed literary biographer, Joseph Pearce, the Ignatius Critical Editions will ensure that traditional moral readings of the works are given prominence, instead of the feminist, or deconstructionist readings that often proliferate in other series of 'critical editions'. As such, they represent a genuine extension of consumer-choice, enabling educators, students and lovers of good literature to buy editions of classic literary works without having to 'buy into' the ideologies of secular fundamentalism. |
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... Tragedy of Gowrie, which had been banned, presumably by direct order of the king himself. Since this process of creative revisionism (to give it a name) seems part of Shakespeare's inspirational motivation in selecting a theme upon ...
... tragedies emanating from the Italian Renaissance, it seems that the essential ingredients of Shakespeare's play are taken from Brooke's poem. Since Shakespeare's modus operandi often involved the confuting of his sources, correcting ...
... Tragedy ofGowrie, which had been banned, presumably by direct order of the king himself. Since this process of creative revisionism (to give it a name) seems part of Shakespeare's inspirational motivation in selecting a theme upon which ...
... tragedy. In the end, it is the almost total absence of “good counsel” that leaves Romeo and Juliet at the mercy of their own woeful passions. Also embedded in these two lines is a significant clue that the feudal, or romantic, reading ...
... tragedy, let us pause for a moment in the company of the elusive Rosaline. All that we know of her is learned from the mouths of others. She is the object of Romeo's lovelorn desire and the subject of Mercutio's scorn. But who is she ...