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Whose figure even this instant cloud puts on,
By dark'ning my clear fun. -My lord, farewell.

4 I am the shadow of poor Buckingham;

Whose figure even this instant cloud puts on,

[Exeunt.

By dark'ning my clear fun.] These lines have passed all the editors. Does the reader understand them? By me they are inexplicable, and must be left, I fear, to some happier sagacity. If the usage of our author's time could allow figure to be taken, as now, for dignity or importance, we might read:

Whose figure even this instant cloud puts out.

But I cannot please myself with any conjecture. Another explanation may be given, somewhat harsh, but the best that occurs to me:

I am the shadow of poor Buckingham,

Whose figure

even

this inftant cloud puts on,

whose port and dignity is affumed by the cardinal, that overclouds

and oppreffes me, and who gains my place

By darkning my clear fun. JOHNSON.

Perhaps Shakspeare has expressed the same idea more clearly in The Two Gentlemen of Verona, Antony and Cleopatra, and King John:

"O, how this spring of love resembleth

"Th' uncertain glory of an April day,

" Which now shows all the beauty of the fun,

"And, by and by, a cloud takes all away."

Antony remarking on the various appearances affumed by the flying vapours, adds:

-now thy captain is

"Even such a body: here I am Antony,

" But cannot hold this visible shape, my knave."

Or yet more appofitely in King John:

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being but the shadow of your fon

"Becomes a fun, and makes your son a shadow."

Such another thought occurs in the famous History of Tho. Stukely, 1605:

"He is the substance of my shadowed love."

There is likewife a passage similar to the conclusion of this, in

Rollo, or the Bloody Brother of Beaumont and Fletcher:

" is drawn so high, that, like an ominous comet, " He darkens all your light."

We might, however, read-pouts on; i. c. looks gloomily upon. So, in Coriolanus, Act V. fc. i:

SCENE II.

The Council-Chamber.

Cornets. Enter King HENRY, Cardinal WOLSEY, the Lords of the Council, Sir THOMAS LOVELL, Officers, and Attendants. The King enters leaning on the Cardinal's shoulder.

K. HEN. My life itself, and the best heart of it,s Thanks you for this great care: I stood i' the level

then

"We pout upon the morning, are unapt
"To give, or to forgive."

Again, in Romeo and Juliet, Act III. fc. iii:

" Thou pout'st upon thy fortune and thy love." Wolfey could only reach Buckingham through the medium of the King's power. The Duke therefore compares the Cardinal to a cloud, which intercepts the rays of the fun, and throws a gloom over the object beneath it. "I am (fays he) but the shadow of poor Buckingham, on whose figure this impending cloud looks gloomy, having got between me and the sunshine of royal favour." Our poet has introduced a somewhat similar idea in Much Ado about Nothing:

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- the pleached bower,

" Where honeysuckles, ripen'd by the sun,

" Forbid the fun to enter;-like favorites

" Made proud by princes."

To pout is at this time a phrase descriptive only of infantine sullenness, but might anciently have had a more consequential meaning.

I should wish, however, instead of

By dark'ning my clear fun,

to read

Be-dark'ning my clear fun.

So, in The Tempest:

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_ I have be-dimm'd

"The noontide sun." STEEVENS.

The following passage in Greene's Doraftus and Fawnia, 1588, (a book which Shakspeare certainly had read,) adds support to Dr.

Of a full-charg'd confederacy, and give thanks
To you that chok'd it.-Let be call'd before us
That gentleman of Buckingham's: in person
I'll hear him his confessions justify;
And point by point the treasons of his master
He shall again relate.

Johnson's conjecture: "Fortune, envious of such happy successe,turned her wheele, and darkened their bright funne of profperitie with the mistie cloudes of mishap and misery."

Mr. M. Mason has observed that Dr. Johnson did not do justice to his own emendation, referring the words whose figure to Buckingham, when in fact they relate to shadow. Sir W. Blackstone had already explained the passage in this manner. MALONE.

"

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puts out," for

By adopting Dr. Johnson's first conjecture, puts on," a tolerable sense may be given to these obfcure lines. "I am but the shadow of poor Buckingham: and even the figure or outline of this shadow begins now to fade away, being extinguished by this impending cloud, which darkens (or interpofes between me and) my clear fun; that is, the favour of my fovereign."

5

BLACKSTONE.

and the best heart of it,] Heart is not here taken for the great organ of circulation and life, but, in a common, and popular sense, for the most valuable or precious part. Our author, in Hamlet, mentions the heart of heart. Exhausted and effete ground is faid by the farmer to be out of heart. The hard and inner part of the oak is called heart of oak. JOHNSON.

6 flood i' the level

Of a full-charg'd confederacy,] To stand in the level of a gun is to stand in a line with its mouth, so as to be hit by the shot.

So, in our author's Lover's Complaint:

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- not a heart which in his level came

JOHNSON.

"Could scape the hail of his all hurting aim."

Again, in our author's 117th Sonnet:

" Bring me within the level of your frown,

"But shoot not at me," &c.

STEEVENS.

See also Vol. VII. p. 65, n. 4; and p. 85, n. 7. MALONE.

The King takes his state. The Lords of the Council take their feveral places. The Cardinal places himself under the King's feet, on his right fide.

A noise within, crying, Room for the Queen. Enter the Queen, ushered by the Dukes of NORFOLK and SUFFOLK: She kneels. The King riseth from his state, takes her up, kisses, and placeth her by him.

2. KATH. Nay, we must longer kneel; I am a fuitor.

K. HEN. Arife, and take place by us: - Half your fuit

Never name to us; you have half our power:
The other moiety, ere you ask, is given;

Repeat your will, and take it.

2. KATH.

Thank your majesty.

That you would love yourself; and, in that love, Not unconfider'd leave your honour, nor

The dignity of your office, is the point

Of my petition.

K. HEN.

Lady mine, proceed.

2. KATH. I am folicited, not by a few,

And those of true condition, that your fubjects

Are in great grievance: there have been com

miffions

heart

Sent down among them, which hath flaw'd the

Of all their loyalties:-wherein, although,

My good lord cardinal, they vent reproaches

Most bitterly on you, as putter-on

7

Of these exactions, yet the king our master,

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-as putter-on

Of these exactions,] The inftigator of these exactions; the per

(Whose honour heaven shield from foil!) even he

escapes not

Language unmannerly, yea, such which breaks
The fides of loyalty, and almost appears

In loud rebellion.

NOR.

Not almost appears,
It doth appear: for, upon these taxations,
The clothiers all, not able to maintain
The many to them 'longing, have put off
The spinsters, carders, fullers, weavers, who,
Unfit for other life, compell'd by hunger
And lack of other means, in desperate manner
Daring the event to the teeth, are all in uproar,
And Danger serves among them.

fon who suggested to the king the taxes complained of, and incited him to exact them from his subjects. So, in Macbeth:

66

The powers above

"Put on their inftruments."

Again, in Hamlet:

"Of deaths put on by cunning and forc'd caufe." MALONE.

See Vol. VII. p. 544, n. 8. STEEVENS.

8 The many to them 'longing,] The many is the meiny, the train, the people. Dryden is, perhaps, the last that used this word: "The kings before their many rode." JOHNSON.

I believe the many is only the multitude, the oἱ πολλοὶ. Thus, Coriolanus, speaking of the rabble, calls them:

the mutable rank-scented many." STEEVENS.

9 And Danger ferves among them.] Could one easily believe, that a writer, who had, but immediately before, funk so low in his expreffion, should here rise again to a height so truly fublime? where, by the noblest stretch of fancy, Danger is personalized as serving in the rebel army, and shaking the established government.

WARBURTON.

Chaucer, Gower, Skelton, and Spenser, have personified Danger. The first, in his Romaunt of the Rofe; the second, in his fifth book De Confeffione Amantis; the third in his Bouge of Court:

"With that, anone out start dangere."

and the fourth, in the 10th Canto of the fourth book of his Faery Queen, and again in the fifth book and the ninth Canto.

STEEVENS.

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