Charles Laughton: An Intimate BiographyDoubleday, 1976 - 239 strán (strany) |
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Strana x
... eye . " As a result of this difference in the tastes of the two collectors , there was no conflict between them in choosing works of art . They never wanted to buy the same object . They never clashed - the dancing eye and the static eye ...
... eye . " As a result of this difference in the tastes of the two collectors , there was no conflict between them in choosing works of art . They never wanted to buy the same object . They never clashed - the dancing eye and the static eye ...
Strana xv
... eyes focused , without much interest , on this old picture , crossed through with lines as though the celluloid had creased , like the human skin . I saw the engine room of a sub- marine ( I knew all about submarines , as I had built a ...
... eyes focused , without much interest , on this old picture , crossed through with lines as though the celluloid had creased , like the human skin . I saw the engine room of a sub- marine ( I knew all about submarines , as I had built a ...
Strana 97
... eye a milky consistency . A false eye hung on the other cheek . Charles's clothes were heavily padded and his body covered ... eyes run between scenes , had to show no reac- tion when he heard sudden and violent sounds . To make his part ...
... eye a milky consistency . A false eye hung on the other cheek . Charles's clothes were heavily padded and his body covered ... eyes run between scenes , had to show no reac- tion when he heard sudden and violent sounds . To make his part ...
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acting actor admired American asked audience beauty became Bligh Brecht Bruce Byam Shaw cast character Charles and Elsa Charles appeared Charles began Charles felt Charles Laughton Charles told Charles's performance Curson Avenue David deeply DeMille despite Dieterle directed director Don Juan dressed Elsa Lanchester Elsa's England Erich Pommer eyes face famous feeling film finally Fonda Galileo Glen Byam Shaw Gordon Square Hollywood Hotel Isherwood James Whale Javert John Brown's Body Juan in Hell Kanin King Lear knew Korda later Lloyd London look Maureen O'Hara Mitchum movie never night once Pacific Palisades paintings Paul Gregory Payment Deferred picture play Pommer production Raymond Massey reading rehearsals Rembrandt Renoir Robert role Ruggles Scarborough scene script sequence shooting shot Siodmak speech stage Stapledown star Sternberg story studio talking Thalberg theatre tion tour Tyrone Tyrone Power voice walk wanted weeks wife Wouk York young