Contemplating Music: Source Readings in the Aesthetics of Music, Zväzky 3–4Ruth Katz, Carl Dahlhaus Pendragon Press, 1987 - 840 strán (strany) The third of this four-volume anthology contains two parts: Linguistic Metaphor and Symbolic Language (writings of Guido d'Arezzo, Athanasius Kircher, Christopher Bernard, Johann Mattheson, Daniel Webb, J.J. Engel, Ludwig Wingenstein, Susa nne K. Langer, Deryck Cooke, Nelson Goodman, and Nicholas Wolterstotff), and Sensory Cognition and Unconscious Referentials (Gottfried W. Leibniz, Jean Philippe Rameau, Hermann Helmholtz, Heinrich Schenker, Arnold Schoenberg, Victor Zuckerkandl, Fritz Winckel, and Carl Dahlhaus/György Ligeti). |
Obsah
VOLUME | 3 |
Introduction | 23 |
Introduction | 64 |
Roger Scruton Introduction | 65 |
Daniel Webb | 91 |
J J Engel Introduction | 125 |
AFFECT AND EXPRESSION | 127 |
Ludwig Wittgenstein Introduction | 141 |
PART FOUR | 352 |
Introduction to Part Seven | 421 |
Max Weber Introduction | 428 |
JeanPhilippe Rameau Introduction | 459 |
Gioseffo Zarlino Introduction | 462 |
René Descartes Introduction | 469 |
Hermann Helmholtz Introduction | 559 |
Francis Hutcheson Introduction | 560 |
Immanuel Kant Introduction | 150 |
Susanne K Langer Introduction | 163 |
Eduard Hanslick Introduction | 167 |
Henri Bergson Introduction | 173 |
Deryck Cooke Introduction | 179 |
Preface | 200 |
Nelson Goodman Introduction | 281 |
Roger Sessions Introduction | 286 |
Nicholas Wolterstorff Introduction | 347 |
J W N Sullivan Introduction | 562 |
Leonard B Meyer Introduction | 599 |
Arnold Schoenberg | 643 |
Victor Zuckerkandl | 663 |
Fritz Winckel | 757 |
Carl Dahlhaus | 777 |
Theodor W Adorno Introduction | 791 |
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aesthetic Allegro analog Andante ascending Bach basic Beethoven Beethoven's belong cadence called chant Chapter character compliance-classes compliants comply composer composer's composition concept consonance copy derived descend diapente diatessaron diatonic differentiation disjoint distinction dominant emotions essential example existence experience expression fact feeling fifth figure fundamental bass Goodman harmonic series harmony ideas imitation inscriptions instance instruments intervals kind Labanotation language leading tone Leibniz madrigal major dissonance major third matter means melody minor minor sixth mode Moderate tempo monochord movement Mozart nature neumes norm-kind notational system object occurrence-works octave painting passions perception perfect cadence perfect chord performance phrase piano playing predicate produced progression properties normative rhythm rules score selected semantic semitone sense seventh chord sixth song sound sound-sequence-occurrence string suppose symbol Symphony syntactic tensions theme theory things tonal tone tonic note tritus true understanding Violins voice words Zarlino