Re-visions of Shakespeare: Essays in Honor of Robert OrnsteinUniversity of Delaware Press, 2004 - 298 strán (strany) Re-Visions of Shakespeare: Essays in Honor of Robert Ornstein is a tribute to one of the most prominent Shakespeareans in the last half of the twentieth century, past president of the Shakespeare Association of America, and author of Shakespeare's Comedies: From Roman Farce to Romantic Mystery, and Other texts. Twelve original contributions by an international group of scholars, including some of the most prominent working in Shakespeare studies today, use a variety of theoretical perspectives to address issues of contemporary import in the dramatic texts. Janus-like, the collection suggests the directions of Shakespeare studies at the outset of the new millennium while considering their roots in the last. |
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Výsledky 1 - 5 z 62.
Strana
... , and genre in As You Like It , The Comedy of Errors , All's Well , and Richard II . Woodbridge and Slights also deal with recent theoretical and critical trends . ( Continued on back flap ) Re - Visions of Shakespeare This One EC6W - QFF.
... , and genre in As You Like It , The Comedy of Errors , All's Well , and Richard II . Woodbridge and Slights also deal with recent theoretical and critical trends . ( Continued on back flap ) Re - Visions of Shakespeare This One EC6W - QFF.
Strana 5
... Part Three : Intertextuality , Mode , and Genre Country Matters : As You Like It and the Pastoral - Bashing Impulse LINDA WOODBRIDGE 108 131 150 165 189 Surprising the Audience in The Comedy of Errors KENT CARTWRIGHT 5.
... Part Three : Intertextuality , Mode , and Genre Country Matters : As You Like It and the Pastoral - Bashing Impulse LINDA WOODBRIDGE 108 131 150 165 189 Surprising the Audience in The Comedy of Errors KENT CARTWRIGHT 5.
Strana 6
... Comedy of Errors KENT CARTWRIGHT 215 In the Shadow of Hamlet : Comedy and Death in All's Well That Ends Well 231 ALEXANDER LEGGATT Ain't It a Shame : History and Psychology in Richard II Criticism 243 WILLIAM W. E. SLIGHTS Appendix ...
... Comedy of Errors KENT CARTWRIGHT 215 In the Shadow of Hamlet : Comedy and Death in All's Well That Ends Well 231 ALEXANDER LEGGATT Ain't It a Shame : History and Psychology in Richard II Criticism 243 WILLIAM W. E. SLIGHTS Appendix ...
Strana 22
... comedy represents poetic longings for love and adventure , satiric comedy represents what she calls the grosser appetites for women , money , or power . The defining difference of tone is the difference between lyrical sentiment ...
... comedy represents poetic longings for love and adventure , satiric comedy represents what she calls the grosser appetites for women , money , or power . The defining difference of tone is the difference between lyrical sentiment ...
Strana 23
... comedy , Ornstein notes , he expands upon the roles that the female characters play and en- hances their stature . 50 With few exceptions , the female protago- nists in the comedies , moreover , are more generous and steadfast in their ...
... comedy , Ornstein notes , he expands upon the roles that the female characters play and en- hances their stature . 50 With few exceptions , the female protago- nists in the comedies , moreover , are more generous and steadfast in their ...
Obsah
33 | |
35 | |
57 | |
Engaging Death in Titus Andronicus | 66 |
Female Sexual Autonomy Voyeurism and Misogyny in Cymbeline | 89 |
Dramatic Paradigms Male Sexuality and the Power of Shame in Alls Well That Ends Well | 108 |
Performance and Text | 129 |
ShakespeareHistory and Imagined Community | 131 |
Intertextuality Mode and Genre | 187 |
As You Like It and the PastoralBashing Impulse | 189 |
Surprising the Audience in The Comedy of Errors | 215 |
Comedy and Death in Alls Well That Ends Well | 231 |
History and Psychology in Richard II Criticism | 243 |
Bibliography of Robert Ornsteins Scholarship | 260 |
Bibliography | 263 |
Contributors | 280 |
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Strana 180 - Thou sure and firm-set earth, Hear not my steps, which way they walk, for fear Thy very stones prate of my where-about, And take the present horror from the time, Which now suits with it.
Strana 61 - Nay, take my life and all ; pardon not that : You take my house, when you do take the prop That doth sustain my house ; you take my life, When you do take the means whereby I live.
Strana 107 - And, to deal plainly, I fear I am not in my perfect mind. Methinks I should know you and know this man; Yet I am doubtful: for I am mainly ignorant What place this is, and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night.
Strana 180 - Alarum'd by his sentinel, the wolf, Whose howl's his watch, thus with his stealthy pace. With Tarquin's ravishing strides, towards his design Moves like a ghost.
Strana 182 - Was the hope drunk, Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely? From this time Such I account thy love. Art thou afeard To be the same in thine own act and valour As thou art in desire ? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting "I dare not" wait upon "I would," Like the poor cat i
Strana 182 - Wherein you dress'd yourself? hath it slept since? And wakes it now, to look so green and pale At what it did so freely ? From this time, Such I account thy love. Art thou afeard To be the same in thine own act and valour, As thou art in desire ? Would'st thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem ' ; Letting I dare not wait upon I would, Like the poor cat i'the adage'?
Strana 209 - Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, — The seasons...
Strana 182 - tis to love the babe that milks me: I would, while it was smiling in my face, Have pluck'd my nipple from his boneless gums, And dash'd the brains out, had I so sworn as you Have done to this.
Strana 182 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...