Re-visions of Shakespeare: Essays in Honor of Robert OrnsteinRe-Visions of Shakespeare: Essays in Honor of Robert Ornstein is a tribute to one of the most prominent Shakespeareans in the last half of the twentieth century, past president of the Shakespeare Association of America, and author of Shakespeare's Comedies: From Roman Farce to Romantic Mystery, and Other texts. Twelve original contributions by an international group of scholars, including some of the most prominent working in Shakespeare studies today, use a variety of theoretical perspectives to address issues of contemporary import in the dramatic texts. Janus-like, the collection suggests the directions of Shakespeare studies at the outset of the new millennium while considering their roots in the last. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 30.
Strana 29
His retirement years , though devoid of the university classroom where he once inspired so many , continue to be chockfull of intellectual activity . Busy at work on two monographs — on the state of contemporary education in the U.S. ...
His retirement years , though devoid of the university classroom where he once inspired so many , continue to be chockfull of intellectual activity . Busy at work on two monographs — on the state of contemporary education in the U.S. ...
Strana 40
Once Hortensio enters the scene and observes the " fray , " Petruchio immediately tries to cover his indiscreet , coarse behavior , which he thought no one was witnessing . He , consequently , greets Hortensio with civilities ...
Once Hortensio enters the scene and observes the " fray , " Petruchio immediately tries to cover his indiscreet , coarse behavior , which he thought no one was witnessing . He , consequently , greets Hortensio with civilities ...
Strana 41
... as Petruchio makes himself look like the good master . Once Baptista enters and Bianca has an audience , she enhances her playacting by appearing as the hurt , silent , and BIANCA AND PETRUCHIO : " THE VERIEST SHREW [ S ] OF ALL ” 41.
... as Petruchio makes himself look like the good master . Once Baptista enters and Bianca has an audience , she enhances her playacting by appearing as the hurt , silent , and BIANCA AND PETRUCHIO : " THE VERIEST SHREW [ S ] OF ALL ” 41.
Strana 43
Once Petruchio is alone , though , awaiting Katherine's arrival , he changes his tone : Say that she frown , I'll say she looks as clear As morning roses newly wash'd with dew . Say she be mute and will not speak a word , Then I'll ...
Once Petruchio is alone , though , awaiting Katherine's arrival , he changes his tone : Say that she frown , I'll say she looks as clear As morning roses newly wash'd with dew . Say she be mute and will not speak a word , Then I'll ...
Strana 44
erine until she slaps him , a reaction that Shakespeare once again makes understandable since Petruchio's sexual harassment is so offensive . Shakespeare makes Katherine's violence look like that of shrews only on the surface .
erine until she slaps him , a reaction that Shakespeare once again makes understandable since Petruchio's sexual harassment is so offensive . Shakespeare makes Katherine's violence look like that of shrews only on the surface .
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Obsah
| 33 | |
| 35 | |
| 57 | |
Engaging Death in Titus Andronicus | 66 |
Female Sexual Autonomy Voyeurism and Misogyny in Cymbeline | 89 |
Dramatic Paradigms Male Sexuality and the Power of Shame in Alls Well That Ends Well | 108 |
Performance and Text | 129 |
ShakespeareHistory and Imagined Community | 131 |
Intertextuality Mode and Genre | 187 |
As You Like It and the PastoralBashing Impulse | 189 |
Surprising the Audience in The Comedy of Errors | 215 |
Comedy and Death in Alls Well That Ends Well | 231 |
History and Psychology in Richard II Criticism | 243 |
Bibliography of Robert Ornsteins Scholarship | 260 |
Bibliography | 263 |
Contributors | 280 |
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Časté výrazy a frázy
action All's Antipholus appears argues attempts audience authority become behavior Bertram Bianca body called Cambridge characters claims Comedy comic court critics cultural dead death drama early modern effect Elizabethan England English enters Errors essay evidence fact farce father female figure final Forman's genre gives hand Helen Henry Holinshed honor human husband interpretation John Katherine kind King language later less lines living London look Macbeth male marriage matter means misogyny moral nature notes once opening Ornstein Othello past pastoral performance Petruchio play political present production puts references Renaissance represented response revenge Richard Robert Roman says scene seems sense sexual Shake Shakespeare shame shows shrew Shylock social society speak speech stage Studies suggest theater thou thought tion Titus tradition tragedy turn University Press wife woman women York
Populárne pasáže
Strana 180 - Thou sure and firm-set earth, Hear not my steps, which way they walk, for fear Thy very stones prate of my where-about, And take the present horror from the time, Which now suits with it.
Strana 61 - Nay, take my life and all ; pardon not that : You take my house, when you do take the prop That doth sustain my house ; you take my life, When you do take the means whereby I live.
Strana 107 - And, to deal plainly, I fear I am not in my perfect mind. Methinks I should know you and know this man; Yet I am doubtful: for I am mainly ignorant What place this is, and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night.
Strana 180 - Alarum'd by his sentinel, the wolf, Whose howl's his watch, thus with his stealthy pace. With Tarquin's ravishing strides, towards his design Moves like a ghost.
Strana 182 - Was the hope drunk, Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely? From this time Such I account thy love. Art thou afeard To be the same in thine own act and valour As thou art in desire ? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting "I dare not" wait upon "I would," Like the poor cat i
Strana 182 - Wherein you dress'd yourself? hath it slept since? And wakes it now, to look so green and pale At what it did so freely ? From this time, Such I account thy love. Art thou afeard To be the same in thine own act and valour, As thou art in desire ? Would'st thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem ' ; Letting I dare not wait upon I would, Like the poor cat i'the adage'?
Strana 209 - Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, — The seasons...
Strana 182 - tis to love the babe that milks me: I would, while it was smiling in my face, Have pluck'd my nipple from his boneless gums, And dash'd the brains out, had I so sworn as you Have done to this.
Strana 182 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Bibliografické informácie
| Názov | Re-visions of Shakespeare: Essays in Honor of Robert Ornstein |
| Redaktori | Robert Ornstein, Evelyn Gajowski |
| Vydanie | ilustrované |
| Vydavateľ | University of Delaware Press, 2004 |
| Kód ISBN | 0874138558, 9780874138559 |
| Dĺžka | 298 strán (strany) |
| Exportovať citáciu | BiBTeX EndNote RefMan |