Re-visions of Shakespeare: Essays in Honor of Robert OrnsteinUniversity of Delaware Press, 2004 - 298 strán (strany) Re-Visions of Shakespeare: Essays in Honor of Robert Ornstein is a tribute to one of the most prominent Shakespeareans in the last half of the twentieth century, past president of the Shakespeare Association of America, and author of Shakespeare's Comedies: From Roman Farce to Romantic Mystery, and Other texts. Twelve original contributions by an international group of scholars, including some of the most prominent working in Shakespeare studies today, use a variety of theoretical perspectives to address issues of contemporary import in the dramatic texts. Janus-like, the collection suggests the directions of Shakespeare studies at the outset of the new millennium while considering their roots in the last. |
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Výsledky 1 - 5 z 30.
Strana 29
... once in- spired so many , continue to be chockfull of intellectual activity . Busy at work on two monographs — on the state of contemporary education in the U.S. and on early modern English poetry — he writes longhand at a table in the ...
... once in- spired so many , continue to be chockfull of intellectual activity . Busy at work on two monographs — on the state of contemporary education in the U.S. and on early modern English poetry — he writes longhand at a table in the ...
Strana 40
... Once Hortensio enters the scene and observes the " fray , " Petruchio immediately tries to cover his indiscreet , coarse behavior , which he thought no one was witnessing . He , consequently , greets Hortensio with civili- ties ...
... Once Hortensio enters the scene and observes the " fray , " Petruchio immediately tries to cover his indiscreet , coarse behavior , which he thought no one was witnessing . He , consequently , greets Hortensio with civili- ties ...
Strana 41
... as Petruchio makes himself look like the good master . Once Baptista enters and Bianca has an audience , she enhances her playacting by appearing as the hurt , silent , and BIANCA AND PETRUCHIO : “ THE VERIEST SHREW [ S ] OF ALL ” 41.
... as Petruchio makes himself look like the good master . Once Baptista enters and Bianca has an audience , she enhances her playacting by appearing as the hurt , silent , and BIANCA AND PETRUCHIO : “ THE VERIEST SHREW [ S ] OF ALL ” 41.
Strana 43
... Once Petruchio is alone , though , awaiting Katherine's arrival , he changes his tone : Say that she frown , I'll say she looks as clear As morning roses newly wash'd with dew . Say she be mute and will not speak a word , Then I'll ...
... Once Petruchio is alone , though , awaiting Katherine's arrival , he changes his tone : Say that she frown , I'll say she looks as clear As morning roses newly wash'd with dew . Say she be mute and will not speak a word , Then I'll ...
Strana 44
... once again . makes understandable since Petruchio's sexual harassment is so offensive . Shakespeare makes Katherine's violence look like that of shrews only on the surface . Shrews are violent just for the pure love of causing turmoil ...
... once again . makes understandable since Petruchio's sexual harassment is so offensive . Shakespeare makes Katherine's violence look like that of shrews only on the surface . Shrews are violent just for the pure love of causing turmoil ...
Obsah
33 | |
35 | |
57 | |
Engaging Death in Titus Andronicus | 66 |
Female Sexual Autonomy Voyeurism and Misogyny in Cymbeline | 89 |
Dramatic Paradigms Male Sexuality and the Power of Shame in Alls Well That Ends Well | 108 |
Performance and Text | 129 |
ShakespeareHistory and Imagined Community | 131 |
Intertextuality Mode and Genre | 187 |
As You Like It and the PastoralBashing Impulse | 189 |
Surprising the Audience in The Comedy of Errors | 215 |
Comedy and Death in Alls Well That Ends Well | 231 |
History and Psychology in Richard II Criticism | 243 |
Bibliography of Robert Ornsteins Scholarship | 260 |
Bibliography | 263 |
Contributors | 280 |
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action All's Antipholus Antipholus's Arden argues audience Bassianus bed-trick behavior Bertram Bianca Cambridge Cassio characters Comedy of Errors comic court critics cultural Cymbeline dead death Delaware Press dramatic Dromio Duke early modern English Elizabethan England essay fantasy farce father feminist Folio text Forman's genre Grumio Hamlet hath Helen Henry Henry VI honor husband Iago Ibid Imogen's Jachimo Jacobean Jacobean Tragedy Katherine Katherine's King language Lavinia Lindenbaum London Louis Montrose Luciana Macbeth male marriage Merchant of Venice misogyny Montrose Moral Vision Othello Oxford pastoral pastoral's patriarchal performance Petruchio play's political Posthumus primogenitural prodigal Ranald Renaissance revenge Richard Richard II ritual Robert Ornstein romance Saturninus scene seems sexual Shake Shakespeare Quarterly Shakespeare's Comedies Shakespeare's History Plays shame Shepheardes Calender shrew shrewish Shylock speak speare speare's speech stage Taming Tamora textual theater theatrical thou tion Titus Andronicus Titus's tragic University Press wife woman women words York
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Strana 180 - Thou sure and firm-set earth, Hear not my steps, which way they walk, for fear Thy very stones prate of my where-about, And take the present horror from the time, Which now suits with it.
Strana 61 - Nay, take my life and all ; pardon not that : You take my house, when you do take the prop That doth sustain my house ; you take my life, When you do take the means whereby I live.
Strana 107 - And, to deal plainly, I fear I am not in my perfect mind. Methinks I should know you and know this man; Yet I am doubtful: for I am mainly ignorant What place this is, and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night.
Strana 180 - Alarum'd by his sentinel, the wolf, Whose howl's his watch, thus with his stealthy pace. With Tarquin's ravishing strides, towards his design Moves like a ghost.
Strana 182 - Was the hope drunk, Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely? From this time Such I account thy love. Art thou afeard To be the same in thine own act and valour As thou art in desire ? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting "I dare not" wait upon "I would," Like the poor cat i
Strana 182 - Wherein you dress'd yourself? hath it slept since? And wakes it now, to look so green and pale At what it did so freely ? From this time, Such I account thy love. Art thou afeard To be the same in thine own act and valour, As thou art in desire ? Would'st thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem ' ; Letting I dare not wait upon I would, Like the poor cat i'the adage'?
Strana 209 - Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, — The seasons...
Strana 182 - tis to love the babe that milks me: I would, while it was smiling in my face, Have pluck'd my nipple from his boneless gums, And dash'd the brains out, had I so sworn as you Have done to this.
Strana 182 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...