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ODE TO THE WEST WIND1

I

O WILD West Wind, thou breath of Autumn's being,

Thou, from whose unseen presence the leaves dead

Are driven, like ghosts from an enchanter fleeing,

Yellow, and black, and pale, and hectic red,

Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed

The winged seeds, where they lie cold and low,

Each like a corpse within its grave, until

Thine azure sister of the spring shall blow

Her clarion o'er the dreaming earth,

and fill

(Driving sweet buds like flocks to feed in air)

With living hues and odours plain and hill:

Shook from the tangled boughs of Heaven and Ocean,

Angels of rain and lightning: there are spread

On the blue surface of thine airy surge, Like the bright hair uplifted from the head

Of some fierce Mænad, even from the dim verge

Of the horizon to the zenith's height The locks of the approaching storm. Thou dirge

Of the dying year, to which this closing night

Will be the dome of a vast sepulchre, Vaulted with all thy congregated might

Of vapours, from whose solid atmosphere

Black rain, and fire, and hail will burst:

Oh hear !

III

Thou who didst waken from his summer dreams

Wild Spirit, which art moving every- The blue Mediterranean, where he lay,

where;

Destroyer and preserver; hear, Oh

hear!

II

Thou on whose stream, 'mid the steep sky's commotion,

Loose clouds like earth's decaying leaves are shed,

Lulled by the coil of his crystalline

streams,

Beside a pumice isle in Baia's bay,
And saw in sleep old palaces and

towers

Quivering within the wave's intenser day,

1 This poem was conceived and chiefly written All overgrown with azure moss and in a wood that skirts the Arno, near Florence,

and on a day when that tempestuous wind,

flowers

whose temperature is at once mild and animat. So sweet, the sense faints picturing them! ing, was collecting the vapours which pour down

Thou

the autumnal rains. They began, as I foresaw, For whose path the Atlantic's level at sunset with a violent tempest of hail and rain, attended by that magnificent thunder and lightning peculiar to the Cisalpine regions.

powers

Cleave themselves into chasms, while far below

The phenomenon alluded to at the conclusion of the third stanza is well known to naturalists. The vegetation at the bottom of the sea, of rivers, and of lakes, sympathises with that The of the land in the change of seasons, and is consequently influenced by the winds which announce it.

sea-blooms and the oozy woods which wear

The sapless foliage of the ocean, know

Thy voice, and suddenly grow gray with Scatter, as from an

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unextinguished

And tremble and despoil themselves: Ashes and sparks, my words among

Oh hear!

IV

If I were a dead leaf thou mightest bear;

If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share

The impulse of thy strength, only less free

If even

Than thou, O uncontrollable!
I were as in my boyhood, and could be

The comrade of thy wanderings over heaven,

As then, when to outstrip thy skiey speed

Scarce seemed a vision; I would ne'er have striven

As thus with thee in prayer in my sore need.

Oh lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!

A heavy weight of hours has chained and bowed

One too like thee: tameless, and swift, and proud.

V

Make me thy lyre, even as the forest is : What if my leaves are falling like its

own!

The tumult of thy mighty harmonies

Will take from both a deep, autumnal tone,

Sweet though in sadness. Be thou, spirit fierce,

My spirit! Be thou me, impetuous one!

Drive my dead thoughts over the uni

verse

Like withered leaves to quicken a new birth!

And, by the incantation of this verse,

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AN EXHORTATION
CHAMELEONS feed on light and air:
Poets' food is love and fame:
If in this wide world of care

Poets could but find the same
With as little toil as they,

Would they ever change their hue As the light chameleons do, Suiting it to every ray

Twenty times a day?

Poets are on this cold earth,

As chameleons might be,
Hidden from their early birth
In a cave beneath the sea;
Where light is, chameleons change:
Where love is not, poets do:
Fame is love disguised: if few
Find either never think it strange
That poets range.

Yet dare not stain with wealth or power
A poet's free and heavenly mind:
If bright chameleons should devour

Any food but beams and wind,
They would grow as earthly soon
As their brother lizards are.
Children of a sunnier star,
Spirits from beyond the moon,
Oh refuse the boon!

THE INDIAN SERENADE

I

I ARISE from dreams of thee
In the first sweet sleep of night,
When the winds are breathing low,

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THOU art fair, and few are fairer

Of the Nymphs of earth or ocean; They are robes that fit the wearerThose soft limbs of thine, whose motion

Ever falls and shifts and glances

As the life within them dances.

II

Thy deep eyes, a double Planet,

Gaze the wisest into madness

Are those thoughts of tender gladness Which, like Zephyrs on the billow, Make thy gentle soul their pillow.

III

If, whatever face thou paintest

In those eyes, grows pale with pleasure, If the fainting soul is faintest

When it hears thy harp's wild measure, Wonder not that when thou speakest Of the weak my heart is weakest.

IV

As dew beneath the wind of morning,
As the sea which Whirlwinds waken,
As the birds at thunder's warning,

As aught mute yet deeply shaken,
As one who feels an unseen spirit
Is my heart when thine is near it.

TO WILLIAM SHELLEY

(With what truth I may say-
Roma! Roma! Roma!
Non è più come era prima!)

I

My lost William, thou in whom
Some bright spirit lived, and did
That decaying robe consume

Which its lustre faintly hid,
Here its ashes find a tomb,

But beneath this pyramid
Thou art not-if a thing divine
Like thee can die, thy funeral shrine
Is thy mother's grief and mine.

II

Where art thou, my gentle child?
Let me think thy spirit feeds,
With its life intense and mild,

The love of living leaves and weeds,
Among these tombs and ruins wild;—
Let me think that through low seeds
Of sweet flowers and sunny grass,

With soft clear fire,-the winds that Into their hues and scents may pass

fan it

A portion-

TO WILLIAM SHELLEY

THY little footsteps on the sands

Of a remote and lonely shore ; The twinkling of thine infant hands, Where now the worm will feed no

more:

Thy mingled look of love and glee When we returned to gaze on thee.

TO MARY SHELLEY

My dearest Mary, wherefore hast thou gone,

And left me in this dreary world alone! Thy form is here indeed—a lovely oneBut thou art fled, gone down the dreary road,

That leads to Sorrow's most obscure abode

Thou sittest on the hearth of pale despair, Where For thine own sake I cannot follow thee.

TO MARY SHELLEY

THE world is dreary,
And I am weary

Of wandering on without thee, Mary;
A joy was erewhile

In thy voice and thy smile, And 'tis gone, when I should be gone

too, Mary.

Fiery and lurid, struggling underneath, The agonies of anguish and of death.

II

Yet it is less the horror than the grace Which turns the gazer's spirit into

stone;

Whereon the lineaments of that dead face

Are graven, till the characters be grown Into itself, and thought no more can trace;

'Tis the melodious hue of beauty thrown

Athwart the darkness and the glare of pain,

Which humanise and harmonise the

strain.

III

And from its head as from one body grow,
As
grass out of a watery rock,
Hairs which are vipers, and they curl

and flow

And their long tangles in each other lock,

And with unending involutions show Their mailed radiance, as it were to

mock

The torture and the death within, and

saw

The solid air with many a ragged jaw.

IV

And from a stone beside, a poisonous eft
Peeps idly into those Gorgonian eyes;

ON THE MEDUSA OF LEON. Whilst in the air a ghastly bat, bereft

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Kindled by that inextricable error, Which makes a thrilling vapour of the air

Become a

and ever-shifting mirror Of all the beauty and the terror thereA woman's countenance, with serpent locks,

Wrapt in sweet wild melodies-
Like an exhalation wreathing
To the sound of air low-breathing
Through Eolian pines, which make
A shade and shelter to the lake
Whence it rises soft and slow;
Her life-breathing [limbs] did flow

Gazing in death on heaven from those In the harmony divine

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