Mufic banished by Plato out of his commonwealth, N. 18.
Of a relative nature, N. 29.

NEIGHBOURHOODS, of whom confifting, N.
Newberry, (Mr.) his rebus, N. 59.

49.

New river, a project of bringing it into the playhouse, 5.
Nicolini, (fignior) his voyage on pafteboard, N. 5. His com-
bat with a lion, N. 13. Why thought to be a fham one,
ibid. An excellent actor, ibid.

OATES, (Dr.) a favourite with some party ladies, N. 57.
Ogler, the complete ogler, N. 46.

Old maids generally fuperftitious, N. 7.
Old teftament in a periwig, N. 58.

Opera, as it is the prefent entertainment of the English stage,
confidered, N. 5. The progrefs it has made on our theatre,
N. 18. Some account of the French opera, N. 29.
Otway commended and cenfured, N.

39.

Overdo, a juftice at Epping, offended at the company of strol-
lers for playing the part of Clodpate, and making a mockery
of one of the quorum, N. 48.

Oxford scholar, his great discovery in a coffee-house, N. 46.

PAINTER and tailor often contribute more than the poet to the
fuccefs of a tragedy, N. 42.

Parents, their taking a liking to a particular profeffion, often
occafions their fons to mifcarry, N. 21.

Parties crept much into the converfation of the ladies, N. 57.
Party-zeal very bad for the face, ibid.

Particles, English, the honour done to them in the late operas,

N. 18.

Paffions, the conqueft of them a difficult task, N. 71.
Peace, fome ill confequences of it, N. 45.

Peepers described, N. 53.

Pharamond, memoirs of his private life, N. 76. His great
wisdom, ibid.

Philautia, a great votary, N. 79.

Philosophy, the use of it, N. 7. faid to be brought by Socrates
down from heaven, N. 10.

Physician and furgeon, their different employment, N. 16.
The phyficians a formidable body of men, N. 21. compared
to the British army in Cæfar's time, ibid. Their way of
converting one diftemper into another, N. 25.

I

Picts, what women fo called, N. 41. No faith to be kept
with them, ibid.

Pinkethman to perfonate King Porus on an elephant, N. 31.
Players in Drury-lane, their intended regulations, N. 36.
Poems in picture, N. 58.

Poet, (English) reproved, N. 39. N. 40. their artifices, N. 44.
Poeteffes, (English) wherein remarkable, N. 51.

Powell, (fenior) to act Alexander the Great on a dromedary,
N. 31. His artifice to raise a clap, N. 40.

Powell, (junior) his great skill in motions, N. 14. His per-
formance referred to the opera of Rinaldo and Armida, ibid.
Praise, the love of it implanted in us, N. 38.
Pride, a great enemy to a fine face, N. 33.

Profeffions, the three great ones overburdened with practi-
tioners, N. 21.

Projector, a fhort description of one, N. 31.
Profper (Will) an honeft tale-bearer, N. 19.

Punchinello, frequented more than the church, N. 14. Punch
out in the moral part, ibid.

Punning much recommended by the practice of all ages,
N. 61. In what age the pun chiefly flourished, ibid. A
famous univerfity much infefted with it, ibid. Why banish-
ed at present out of the learned world, ibid. The definition
of a pun, ibid.

QUALITY no exemption from reproof, N. 34.
Quixote, (don) patron of the Sighers club, N.

· 30.

RANTS confidered as blemishes in our English tragedies,

N. 40.

Rape of Proferpine, a French opera, fome particulars in it,

N. 29.

Reafon, inftead of governing paffion, is often fubfervient to
it, N. 6.

Rebus, a kind of false wit in vogue among the ancients, N. 59.
and our own countrymen, ibid. A rebus at Blenheim-house
condemned, ibid.

Recitativo, (Italian) not agreeable to an English audience,
N. 29. Recitative mufic in every language ought to be
adapted to the accent of the language, ibid.

Retirement, the pleasure of it, where truly enjoyed, N. 4.
Rich, (Mr.) would not fuffer the opera of Whittington's Cat
to be performed in his houfe, and the reafon for it, N. 5.
Royal Exchange, the great refort to it, N. 69.

SALMON, (Mrs.) her ingenuity, N. 28.
Sanctorius, his invention, N. 25.

Scholar's egg, what so called, N.

fo 58.

Sempronia, a profeft admirer of the French nation, N. 45.
Sense; fome men of sense more despicable than common beg-
gars, N. 6.

Sentry, (Captain) a member of the Spectator's club, his cha-
racter, N. 2.

Sextus Quintus, the pope, an inftance of his unforgiving
temper, N. 23.

Shadows and realities not mixed in the fame piece, N. 5.
Shovel, (fir Cloudefley) the ill contrivance of his monument
in Westminster abbey, N. 26.

Sidney, (fir Philip) his opinion of the fong of Chevy Chace,
N. 70.

Sighers, a club of them in Oxford, N. 30. Their regulations,
ibid.

Sign-pofts, the abfurdities of many of them, N. 28.

Socrates, his temper and prudence, N. 23.

Solitude; an exemption from paffions the only pleasing soli-
tude, N. 4.

Sophocles, his conduct in his tragedy of Electra, N. 44.
Sparrows bought for the use of the opera, N. 5.

Spartan virtue acknowledged by the Athenians, N. 6.
Spectator, (The) his prefatory difcourfe, N. 1. His great
taciturnity, ibid. His vifion of public credit, N. 3. His
entertainment at the table of an acquaintance, N. 7. His
recommendation of his fpeculations, N. 10. Advertised in
the Daily Courant, N. 12. His encounter with a lion behind
the scenes, N. 13. The defign of his writings, N. 16. No
party-man, ibid. A little unhappy in the mould of his face,
N. 17. His artifice, N. 19. His defire to correct impu-
dence, N. 20. And refolution to march on in the cause of
virtue, N. 34. His vifit to a travelled lady, N. 45. His fpe-
culations in the first principles, N. 46. An odd accident that
befel him at Lloyd's coffee-houfe, ibid. His advice to our
English pindaric writers, N. 58. His examen of Sir Fop-
pling Flutter, N. 65.

Spleen, a common excufe for dulnefs, N. 53.

Starers réproved, N. 20.

Statira, in what proposed as a pattern to the fair sex, N. 41.
Superftition, the folly of it defcribed, N. 7.

Sufanna, or Innocence Betrayed, to be exhibited by Mr.
Powell, with a new pair of elders, N. 14.

TEMPLAR, one of the Spectator's club, his character, N. 2.
That, his remonftrance, N. 8o.

Theatre (English) the practice of it in several instances cen-
fured, N. 42, N. 44, N. 51.

Thunder, of great ufe on the ftage, N. 44.

Thunderer to the playhouse, the hardships put upon him, and
his defire to be made a cannon, N. 36.

Tom Titt to perfonate finging birds in the opera, N. 5.
Tom the Tyrant, firft minifter of the coffee-house between
the hours of eleven and twelve at night, N. 49.

Tombs in Westminster visited by the Spectator, N. 26. His
reflection upon them, ibid.

Trade, the benefit of it to Great Britain, N. 69.

Tragedy; a perfect tragedy the noblest production of human
nature, N. 39. Wherein the modern tragedy excels that
of Greece and Rome, ibid. Blank verfe the most proper
for an English tragedy, ibid. The English tragedy confi
dered, ibid.

Tragi-comedy, the product of the English theatre, a monstrous
invention, N. 40.

Travel highly neceffary to a coquette, N. 45. The behaviour
of a travelled lady in the playhouse, ibid.

Truth an enemy to false wit, N. 63.

Triphiodorus, the great lipogrammatift of antiquity, N. 59.

VENICE Preferved, a tragedy founded on a wrong plot,

N. 39.

Uglinefs, fome fpeculations upon it, N. 32.

Vifit; a vifit to a travelled lady which the received in her
bed, described, N. 45.

Understanding, the abufe of it is a great evil, N. 6.

Vocifer, the qualifications that make him pass for a fine gen-
tleman, N. 75-

WHO and Which, their petition to the Spectator, N. 78.
Wit, the mischief of it when accompanied with vice, N. 23.
Very pernicious when not tempered with virtue and hu-
manity, ibid. Turned into deformity by affectation, N. 38.
Only to be valued as it is applied, N. 6. The hiftory of
falfe wit, ibid. Every man would be a wit if he could,
N. 59. The way to try a piece of wit, N. 62. Mr. Locke's
reflection on the difference between wit and judgment, ibid.
The god of wit defcribed, N. 63.

Women the more powerful part of our people, N. 4. Their ordinary employments, N. 10. Smitten with fuperficials, N. 15. Their usual conversation, ibid. Their strongest paffion, N. 33. Not to be confidered merely as objects of fight, ibid.

Woman of quality, her drefs the products of an hundred climates, N. 69.

YARICO, the ftory of her adventure, N. 11.

THE END OF THE FIRST VOLUME.

T. Beniley, Printer, Bolt Court, Fleet Street.