The Works of Edmund BurkeРипол Классик, 1887 |
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Strana viii
... As soon as I began to suspect him capable of any such scandalous breach of trust, you know with what anxiety I got the loose papers out of his hands, not having reason to think that he kept any other. Neither do viii ADVERTISEMENT.
... As soon as I began to suspect him capable of any such scandalous breach of trust, you know with what anxiety I got the loose papers out of his hands, not having reason to think that he kept any other. Neither do viii ADVERTISEMENT.
Strana ix
... hand, or, on the other, to have then made any considerable changes in it, might have seemed an abandonment of the principles which it contained. The author, therefore, discovering that, with the exception of the introductory letter, he ...
... hand, or, on the other, to have then made any considerable changes in it, might have seemed an abandonment of the principles which it contained. The author, therefore, discovering that, with the exception of the introductory letter, he ...
Strana x
... hand-writing; and the actual conclusion of the letter was dictated by him, but never received his subsequent correction. He had also preserved, as materials for this branch of the subject, some scattered hints, documents, and parts of a ...
... hand-writing; and the actual conclusion of the letter was dictated by him, but never received his subsequent correction. He had also preserved, as materials for this branch of the subject, some scattered hints, documents, and parts of a ...
Strana 13
... hands of millions, who know no common principle of action, but a blind obedience to the passions of their ruler. ' The next personage who figures in the tragedies of this anCient theatre is Semiramis: for we have no particulars of Ninm ...
... hands of millions, who know no common principle of action, but a blind obedience to the passions of their ruler. ' The next personage who figures in the tragedies of this anCient theatre is Semiramis: for we have no particulars of Ninm ...
Strana 15
... hand to this scene of misery and destruction. His kingdom was. rent. and. divided;. which. served. to. employ. the. more. distinct. parts to tear each other to pieces, and bury the whole in blood and slaughter. The kings of Syria and of ...
... hand to this scene of misery and destruction. His kingdom was. rent. and. divided;. which. served. to. employ. the. more. distinct. parts to tear each other to pieces, and bury the whole in blood and slaughter. The kings of Syria and of ...
Obsah
1 | |
55 | |
57 | |
57 | |
59 | |
74 | |
84 | |
Imitation | 91 |
Cause of Pain and Fear | 165 |
How the Sublime is produced | 167 |
Exercise necessary for the finer Organs | 169 |
Why visual objects of great dimensions are Sublime | 170 |
Unity why requisite to Vastness | 171 |
The artificial Infinite | 172 |
The vibrations must be similar | 173 |
The effects of succession in visual objects explained | 174 |
ésssééss | 95 |
The same subject continued | 101 |
Privation | 112 |
Light | 119 |
PART III | 127 |
Beautiful objects small | 148 |
Smoothness | 150 |
Delicacy | 152 |
Beauty in color | 153 |
XVIH Recapitulation ib XIX The Physiognomy | 155 |
Grace | 156 |
Elegance and Speciousness ib XXIV The Beautiful in Feeling | 157 |
Taste and Smell | 160 |
PART IV | 162 |
Association | 164 |
Lockes opinion concerning Darkness considered | 176 |
Darkness terrible in its own nature | 177 |
Why darkness is terrible | 178 |
The effects of Blackness | 181 |
The physical cause of Love | 182 |
Why Smoothness is Beautiful | 183 |
Sweetness its nature | 184 |
Sweetness relaxing | 186 |
Variation why beautiful I | 187 |
PART V | 193 |
Poetry not strictly an imitative Art | 202 |
A Short Account of a late Short Administration | 207 |
theNation 211 | 327 |
Thoughts on the Cause of the Present Discontents | 347 |
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