The Works of Edmund BurkeРипол Классик, 1887 |
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Strana 23
... look upon the sanguinary measures, and instruments of violence which are every where used to support them. Let us take a review of the dungeons, whips, chains, racks, gibbets, with which every society is abundantly stored, by which ...
... look upon the sanguinary measures, and instruments of violence which are every where used to support them. Let us take a review of the dungeons, whips, chains, racks, gibbets, with which every society is abundantly stored, by which ...
Strana 40
... look upon as so great a blessing. Revolve, my Lord, our history from the conquest. We scarce ever had a prince, who by fraud, or violence, had not made some infringement on the constitution. We scarce ever had a parliament which knew ...
... look upon as so great a blessing. Revolve, my Lord, our history from the conquest. We scarce ever had a prince, who by fraud, or violence, had not made some infringement on the constitution. We scarce ever had a parliament which knew ...
Strana 65
... look with contempt on what he admired at first; not that he admired it even then for its unlikeness to a man, but for that general, though inaccurate resemblance, which it here to the human-figure. What he admired at difi'erent times in ...
... look with contempt on what he admired at first; not that he admired it even then for its unlikeness to a man, but for that general, though inaccurate resemblance, which it here to the human-figure. What he admired at difi'erent times in ...
Strana 98
Dosiahli ste svoj limit zobrazení tejto knihy..
Dosiahli ste svoj limit zobrazení tejto knihy..
Strana 102
Dosiahli ste svoj limit zobrazení tejto knihy..
Dosiahli ste svoj limit zobrazení tejto knihy..
Obsah
1 | |
55 | |
57 | |
57 | |
59 | |
74 | |
84 | |
Imitation | 91 |
Cause of Pain and Fear | 165 |
How the Sublime is produced | 167 |
Exercise necessary for the finer Organs | 169 |
Why visual objects of great dimensions are Sublime | 170 |
Unity why requisite to Vastness | 171 |
The artificial Infinite | 172 |
The vibrations must be similar | 173 |
The effects of succession in visual objects explained | 174 |
ésssééss | 95 |
The same subject continued | 101 |
Privation | 112 |
Light | 119 |
PART III | 127 |
Beautiful objects small | 148 |
Smoothness | 150 |
Delicacy | 152 |
Beauty in color | 153 |
XVIH Recapitulation ib XIX The Physiognomy | 155 |
Grace | 156 |
Elegance and Speciousness ib XXIV The Beautiful in Feeling | 157 |
Taste and Smell | 160 |
PART IV | 162 |
Association | 164 |
Lockes opinion concerning Darkness considered | 176 |
Darkness terrible in its own nature | 177 |
Why darkness is terrible | 178 |
The effects of Blackness | 181 |
The physical cause of Love | 182 |
Why Smoothness is Beautiful | 183 |
Sweetness its nature | 184 |
Sweetness relaxing | 186 |
Variation why beautiful I | 187 |
PART V | 193 |
Poetry not strictly an imitative Art | 202 |
A Short Account of a late Short Administration | 207 |
theNation 211 | 327 |
Thoughts on the Cause of the Present Discontents | 347 |
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administration advantage America animals appear arises attended beauty become believe body carried cause colonies common concerning consequences considerable considered constitution continued court danger darkness debt depend duties effect efl'ect England equal establishment export feeling find first force France frequently friends give given greater hand idea images imagination import increase interest kind laws least less light look manner matter means measures mind ministers nature necessary never object observed operation opinion original pain parliament particular passions peace perhaps persons pleased pleasure political positive present principles produce proportion qualities raised reason regard repeal represent seems sense sort species spirit stand strength strong sublime suppose sure taste terror things thought tion trade true whilst whole