Social and Cultural Dynamics, Zväzok 1 |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 84.
Strana 240
TABLE 10 : PARALLELISM OF GREEK AND EUROPEAN ART Art Century Greek
European Before VI B.C. Before XII A.D. VI XII V XIII IV XIV Hellenistic art XV XVIII
This table shows that somehow he was not able to find the Greek counterpart ...
TABLE 10 : PARALLELISM OF GREEK AND EUROPEAN ART Art Century Greek
European Before VI B.C. Before XII A.D. VI XII V XIII IV XIV Hellenistic art XV XVIII
This table shows that somehow he was not able to find the Greek counterpart ...
Strana 286
If the Greek was a continuation of the Creto - Mycenaean culture , then such a
fact means that a decay had taken place in the Visual style together with its
passage into the Ideational . If the Greek culture was not a continuation of the
Creto ...
If the Greek was a continuation of the Creto - Mycenaean culture , then such a
fact means that a decay had taken place in the Visual style together with its
passage into the Ideational . If the Greek culture was not a continuation of the
Creto ...
Strana 553
( 1 ) So far as the existing evidences show , the earliest stages of the Greek music
( not of the Creto - Mycenaean , of which little is known , nor even of the later
stage of the Ionic music ) seem to have been predominantly Ideational . And this
...
( 1 ) So far as the existing evidences show , the earliest stages of the Greek music
( not of the Creto - Mycenaean , of which little is known , nor even of the later
stage of the Ionic music ) seem to have been predominantly Ideational . And this
...
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Obsah
Chapter One FORMS AND PROBLEMS OF CULTURE INTEGRATION AND METHODS | 3 |
Culture integration and culture unity a dark problem Most of | 49 |
Chapter Two IDEATIONAL SENSATE IDEALISTIC AND MIXED SYSTEMS | 55 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
Časté výrazy a frázy
Active appear architecture artists Ascetic aspect beauty becomes beginning body century chapter character Christian classes classical complete continued countries course culture depicted direction discussed dominant elements empirical especially essential existence expression external fact field fifth figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass Percentages period persons phenomena present principle problem purely qualitative reality reason recurrence regard religion religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stage style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole