Social and Cultural Dynamics, Zväzok 1 |
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Výsledky 1 - 3 z 47.
Strana 296
The period of pure Idealism in Greek art was short . Though it remained Idealistic
throughout the fifth and a part of the fourth century , nevertheless , after Phidias
and Polygnotus the Ideational stream continued to become thinner , the Sensate
...
The period of pure Idealism in Greek art was short . Though it remained Idealistic
throughout the fifth and a part of the fourth century , nevertheless , after Phidias
and Polygnotus the Ideational stream continued to become thinner , the Sensate
...
Strana 335
The reason is that their idealism was purely humanistic , earthly , scientific ,
wingless , to soar to the heights of transcendental idealism , an idealism which
does not fear anything , does not question itself , in a way is blind and
unreservedly ...
The reason is that their idealism was purely humanistic , earthly , scientific ,
wingless , to soar to the heights of transcendental idealism , an idealism which
does not fear anything , does not question itself , in a way is blind and
unreservedly ...
Strana 351
Even when , as in the tomb monuments , they try to imitate the idealistic figures ,
the result is very different : the figures of the dead for some reason or other ...
There was no Ideationalism in it and little , if anything , of a transcendental
Idealism .
Even when , as in the tomb monuments , they try to imitate the idealistic figures ,
the result is very different : the figures of the dead for some reason or other ...
There was no Ideationalism in it and little , if anything , of a transcendental
Idealism .
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Obsah
Chapter One FORMS AND PROBLEMS OF CULTURE INTEGRATION AND METHODS | 3 |
Culture integration and culture unity a dark problem Most of | 49 |
Chapter Two IDEATIONAL SENSATE IDEALISTIC AND MIXED SYSTEMS | 55 |
Autorské práva | |
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Časté výrazy a frázy
Active appear architecture artists Ascetic aspect beauty becomes beginning body century chapter character Christian classes classical complete continued countries course culture depicted direction discussed dominant elements empirical especially essential existence expression external fact field fifth figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass Percentages period persons phenomena present principle problem purely qualitative reality reason recurrence regard religion religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stage style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole