Social and Cultural Dynamics, Zväzok 1 |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 65.
Strana 349
In Italy we have the epigoni of Michelangelo , the genius of the baroque , Bernini and his followers , and the growth of the school of Caravaggio . Here the progress of Visualism assumed not the form of a further development of Flemish ...
In Italy we have the epigoni of Michelangelo , the genius of the baroque , Bernini and his followers , and the growth of the school of Caravaggio . Here the progress of Visualism assumed not the form of a further development of Flemish ...
Strana 462
There seem to have been alternating waves of fashion of “ urbanity ” ( for instance , in France in the seventeenth century ; in Italy , in the fifteenth ; in Russia , in the eighteenth ; in England , in the second part of the nineteenth ...
There seem to have been alternating waves of fashion of “ urbanity ” ( for instance , in France in the seventeenth century ; in Italy , in the fifteenth ; in Russia , in the eighteenth ; in England , in the second part of the nineteenth ...
Strana 465
The abnormally high percentage of gloomy paysage in Holland and England and the exceedingly high percentage of sunny paysage in Italy , then in France , then in Central Europe , and the middle position occupied by Russia , are in all ...
The abnormally high percentage of gloomy paysage in Holland and England and the exceedingly high percentage of sunny paysage in Italy , then in France , then in Central Europe , and the middle position occupied by Russia , are in all ...
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Obsah
Chapter One FORMS AND PROBLEMS OF CULTURE INTEGRATION AND METHODS | 3 |
Culture integration and culture unity a dark problem Most of | 49 |
LIST OF TABLES | 97 |
Autorské práva | |
49 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
Social & Cultural Dynamics: A Study of Change in Major Systems of Art, Truth ... Pitirim A. Sorokin Zobrazenie úryvkov - 1957 |
Časté výrazy a frázy
Active appear architecture artists Ascetic aspect beauty becomes beginning body century chapter character Christian classes classical complete countries course culture depicted direction discussed dominant elements empirical especially essential existence expression external fact field fifth figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy kind later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass Percentages period persons phenomena present principle problem purely qualitative reality reason recurrence regard religion religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stage style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole