Social and Cultural Dynamics, Zväzok 1 |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 80.
Strana 244
( 1 ) Though the subject is superempirical , the form in which it is rendered attempts to embody some visual resemblance to what is considered to be its empirical aspect , e.g. , pictures of Paradise , Inferno , the Last Judgment ...
( 1 ) Though the subject is superempirical , the form in which it is rendered attempts to embody some visual resemblance to what is considered to be its empirical aspect , e.g. , pictures of Paradise , Inferno , the Last Judgment ...
Strana 263
a Such are some of the typical traits of the Idealistic as contrasted with the Visual ( Sensate ) art . As to its difference from the Ideational art , it must be clear from the above characterization of the Ideational style .
a Such are some of the typical traits of the Idealistic as contrasted with the Visual ( Sensate ) art . As to its difference from the Ideational art , it must be clear from the above characterization of the Ideational style .
Strana 454
I am more than doubtful also as to the validity of the statement that even the Visual paysage appeared late , and was nonexistent either among the primitive peoples or in the Oriental ( think of the multitude of excellent Chinese 28 and ...
I am more than doubtful also as to the validity of the statement that even the Visual paysage appeared late , and was nonexistent either among the primitive peoples or in the Oriental ( think of the multitude of excellent Chinese 28 and ...
Čo hovoria ostatní - Napísať recenziu
Na obvyklých miestach sme nenašli žiadne recenzie.
Obsah
Chapter One FORMS AND PROBLEMS OF CULTURE INTEGRATION AND METHODS | 3 |
Culture integration and culture unity a dark problem Most of | 49 |
LIST OF TABLES | 97 |
Autorské práva | |
49 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
Časté výrazy a frázy
Active appear architecture artists Ascetic aspect beauty becomes beginning body century chapter character Christian classes classical complete countries course culture depicted direction discussed dominant elements empirical especially essential existence expression external fact field fifth figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy kind later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass Percentages period persons phenomena present principle problem purely qualitative reality reason recurrence regard religion religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stage style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole