Social and Cultural Dynamics, Zväzok 1Bedminster Press, 1962 |
Vyhľadávanie v obsahu knihy
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Strana 244
Pitirim Aleksandrovich Sorokin. B. Impure Ideational Style . ( 1 ) Though the subject is superempir- ical , the form in which it is rendered attempts to embody some visual resemblance to what is considered to be its empirical aspect ...
Pitirim Aleksandrovich Sorokin. B. Impure Ideational Style . ( 1 ) Though the subject is superempir- ical , the form in which it is rendered attempts to embody some visual resemblance to what is considered to be its empirical aspect ...
Strana 263
... Visual ( Sensate ) art . As to its difference from the Ideational art , it must be clear from the above characterization of the Ideational style . The main difference between them is that while the pure Ideational art is not attached in ...
... Visual ( Sensate ) art . As to its difference from the Ideational art , it must be clear from the above characterization of the Ideational style . The main difference between them is that while the pure Ideational art is not attached in ...
Strana 272
Pitirim Aleksandrovich Sorokin. If we turn to the styles of the living primitive peoples , we find both styles present among them . Among some the Visual predominates , among the others the Ideational ; among many both are found . But ...
Pitirim Aleksandrovich Sorokin. If we turn to the styles of the living primitive peoples , we find both styles present among them . Among some the Visual predominates , among the others the Ideational ; among many both are found . But ...
Obsah
Chapter One FORMS AND PROBLEMS OF CULTURE INTEGRATION AND METHODS | 3 |
Main Styles in Art by Countries | 4 |
The Visual and Ideational in Art by Countries | 5 |
Autorské práva | |
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A. K. Coomaraswamy appear architecture artists Ascetic Ideational baroque becomes Buddhism Byzantine art causal century B.C. chap Christian art classes classical Confucianism countries cubistic culture mentality Deonna depicted dominant eighteenth elements empirical Epicureanism European existence external fifteenth fifth century fluctuations fourth century given Graeco-Roman Greece Greek Hellenistic Hinduism Ibid ideal Idealistic art Ideational art Ideational mentality Ideational style Ideationalism ideoplastic illusionistic impressionism impressionistic integrated Jainism linear literature logical logico-meaningful Lysippus malerisch means medieval Middle Ages Mixed nature Nirvana objects organs painting and sculpture paleolithic passim paysage Percentages period phenomena Phidias portraits portraiture purely qualitative quantitative reality recurrence religion religious rococo Roman sculpture Sensate mentality Sensate music sense sensual similar social sociocultural spatial spiritual stage standpoint subjects symbolic Taoism theories thirteenth century tion Total Numbers traits values various Visual art Visual style waves