Social and Cultural Dynamics, Zväzok 1 |
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Výsledky 1 - 3 z 56.
Strana 227
Likewise , comparing the Aurora of Michelangelo with the Niobide of Rome , the
Nymphs of the Fountain by Jean Goujon ( sixteenth century A.D. ) with the
Dancing Woman figure of Pergamum ( third - second century B.C. ) ; geometric
statues ...
Likewise , comparing the Aurora of Michelangelo with the Niobide of Rome , the
Nymphs of the Fountain by Jean Goujon ( sixteenth century A.D. ) with the
Dancing Woman figure of Pergamum ( third - second century B.C. ) ; geometric
statues ...
Strana 286
sixth century B.C. is marked by the domination of the Ideational art . ... The period
of Homeric Art ( the ninth and the eighth centuries , roughly ) was something like
a transition from the Mycenaean sensuousness to the Ideational art of the ...
sixth century B.C. is marked by the domination of the Ideational art . ... The period
of Homeric Art ( the ninth and the eighth centuries , roughly ) was something like
a transition from the Mycenaean sensuousness to the Ideational art of the ...
Strana 553
And this domination of Ideational music seems to have continued up to the
middle of the fifth century B.C. and , with an admixture of the growing Sensate as
a subordinate factor , throughout the fifth century B.C. ( 2 ) The fifth century gives
a ...
And this domination of Ideational music seems to have continued up to the
middle of the fifth century B.C. and , with an admixture of the growing Sensate as
a subordinate factor , throughout the fifth century B.C. ( 2 ) The fifth century gives
a ...
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Obsah
Chapter One FORMS AND PROBLEMS OF CULTURE INTEGRATION AND METHODS | 3 |
Culture integration and culture unity a dark problem Most of | 49 |
Chapter Two IDEATIONAL SENSATE IDEALISTIC AND MIXED SYSTEMS | 55 |
Autorské práva | |
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Active appear architecture artists Ascetic aspect beauty becomes beginning body century chapter character Christian classes classical complete continued countries course culture depicted direction discussed dominant elements empirical especially essential existence expression external fact field fifth figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass Percentages period persons phenomena present principle problem purely qualitative reality reason recurrence regard religion religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stage style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole