Social and Cultural Dynamics, Zväzok 1 |
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Strana 211
The second type of art , the classical , is based upon an absolutely homogeneous unity of content and form . Here there is an adequate bridge between the Idea and its expression . The symbolic configuration is imperfect because , first ...
The second type of art , the classical , is based upon an absolutely homogeneous unity of content and form . Here there is an adequate bridge between the Idea and its expression . The symbolic configuration is imperfect because , first ...
Strana 215
For instance , in Greece , the “ classical ” 45 period of music , if we accept the music of Terpander and his contemporaries as its representatives , preceded by about two centuries the classical age of literature and sculpture , or was ...
For instance , in Greece , the “ classical ” 45 period of music , if we accept the music of Terpander and his contemporaries as its representatives , preceded by about two centuries the classical age of literature and sculpture , or was ...
Strana 235
( 6 ) Predecessors Gallo - Belgian and Flemish schools ( fifteenth and beginning of sixteenth centuries ) ( 2 ) Classical Phase ( a ) Grand Classics Palestrina's school in Rome ( middle of sixteenth century ) ( 6 ) Pseudo Classics ...
( 6 ) Predecessors Gallo - Belgian and Flemish schools ( fifteenth and beginning of sixteenth centuries ) ( 2 ) Classical Phase ( a ) Grand Classics Palestrina's school in Rome ( middle of sixteenth century ) ( 6 ) Pseudo Classics ...
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Obsah
Chapter One FORMS AND PROBLEMS OF CULTURE INTEGRATION AND METHODS | 3 |
Culture integration and culture unity a dark problem Most of | 49 |
LIST OF TABLES | 97 |
Autorské práva | |
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Active appear architecture artists Ascetic aspect beauty becomes beginning body century chapter character Christian classes classical complete countries course culture depicted direction discussed dominant elements empirical especially essential existence expression external fact field fifth figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy kind later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass Percentages period persons phenomena present principle problem purely qualitative reality reason recurrence regard religion religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stage style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole