Social and Cultural Dynamics, Zväzok 1 |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 58.
Strana 291
The chief characteristics of the fifth century sculpture are breadth of style and
ideality ; these traits , though best exemplified in Pheidias , are by no means
confined to the great master . 45 The Greek painting of the fifth century is likewise
...
The chief characteristics of the fifth century sculpture are breadth of style and
ideality ; these traits , though best exemplified in Pheidias , are by no means
confined to the great master . 45 The Greek painting of the fifth century is likewise
...
Strana 293
Greek art of the fifth century produced no portraits strictly speaking . " According
to Pliny the objective of an artist of the fifth century was “ how to make noble men
still nobler . ” Instead of a purely visual portrait this art gives " idealized ...
Greek art of the fifth century produced no portraits strictly speaking . " According
to Pliny the objective of an artist of the fifth century was “ how to make noble men
still nobler . ” Instead of a purely visual portrait this art gives " idealized ...
Strana 612
Toward the end of the fourth and beginning of the fifth centuries the Sensate
wave of Graeco - Hellenic - Roman literature had worn itself out . It had run its
span of life and now was dead . In its place there came the rising tide of Christian
...
Toward the end of the fourth and beginning of the fifth centuries the Sensate
wave of Graeco - Hellenic - Roman literature had worn itself out . It had run its
span of life and now was dead . In its place there came the rising tide of Christian
...
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Obsah
Chapter One FORMS AND PROBLEMS OF CULTURE INTEGRATION AND METHODS | 3 |
Culture integration and culture unity a dark problem Most of | 49 |
Chapter Two IDEATIONAL SENSATE IDEALISTIC AND MIXED SYSTEMS | 55 |
Autorské práva | |
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Časté výrazy a frázy
Active appear architecture artists Ascetic aspect beauty becomes beginning body century chapter character Christian classes classical complete continued countries course culture depicted direction discussed dominant elements empirical especially essential existence expression external fact field fifth figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass Percentages period persons phenomena present principle problem purely qualitative reality reason recurrence regard religion religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stage style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole