Social and Cultural Dynamics, Zväzok 1 |
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Strana 203
If he means a new spirit and mentality , then these had appeared already in the music of the minstrels and troubadours , or even earlier in such pieces as the celebrated Reading Rota or Rondel , “ Sumer is icumen in , " not to mention ...
If he means a new spirit and mentality , then these had appeared already in the music of the minstrels and troubadours , or even earlier in such pieces as the celebrated Reading Rota or Rondel , “ Sumer is icumen in , " not to mention ...
Strana 314
As one of the investigators of the Russian iconography puts it : The objective of a picture is always in the picture itself ; it is simultaneously the means and the end of the artist . But the icon . . . is always a mere means , a mere ...
As one of the investigators of the Russian iconography puts it : The objective of a picture is always in the picture itself ; it is simultaneously the means and the end of the artist . But the icon . . . is always a mere means , a mere ...
Strana 541
Being " inner , " the Ideational music does not need either impressive technical means or any external impressiveness aimed to “ hit , ” to “ stun , ” to impress sensationally . No " smartness " is necessary to it .
Being " inner , " the Ideational music does not need either impressive technical means or any external impressiveness aimed to “ hit , ” to “ stun , ” to impress sensationally . No " smartness " is necessary to it .
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Obsah
Chapter One FORMS AND PROBLEMS OF CULTURE INTEGRATION AND METHODS | 3 |
Culture integration and culture unity a dark problem Most of | 49 |
LIST OF TABLES | 97 |
Autorské práva | |
49 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
Social & Cultural Dynamics: A Study of Change in Major Systems of Art, Truth ... Pitirim A. Sorokin Zobrazenie úryvkov - 1957 |
Časté výrazy a frázy
Active appear architecture artists Ascetic aspect beauty becomes beginning body century chapter character Christian classes classical complete countries course culture depicted direction discussed dominant elements empirical especially essential existence expression external fact field fifth figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy kind later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass Percentages period persons phenomena present principle problem purely qualitative reality reason recurrence regard religion religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stage style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole