Social and Cultural Dynamics, Zväzok 1 |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 69.
Strana 388
A. To begin with the impressionistic style as the extreme and purest visual style ,
it is totally absent in the Christian - ancient and medieval — art , from its
beginning to its end ( to the nineteenth century ) . It is also totally absent in the art
of all the ...
A. To begin with the impressionistic style as the extreme and purest visual style ,
it is totally absent in the Christian - ancient and medieval — art , from its
beginning to its end ( to the nineteenth century ) . It is also totally absent in the art
of all the ...
Strana 471
a decrease in the nineteenth and the twentieth centuries is because of the
invention of photography . It permits everyone to obtain most accurate visual
snapshots of oneself and makes a painted portrait not so necessary . Another
reason is ...
a decrease in the nineteenth and the twentieth centuries is because of the
invention of photography . It permits everyone to obtain most accurate visual
snapshots of oneself and makes a painted portrait not so necessary . Another
reason is ...
Strana 487
... many setbacks of the Sensate variables in that century of a desperate effort to
reinforce the dwindling Ideationalism - steadily grows , reaching in the nineteenth
century 24 per cent of all the portraits and 50 per cent in the twentieth century .
... many setbacks of the Sensate variables in that century of a desperate effort to
reinforce the dwindling Ideationalism - steadily grows , reaching in the nineteenth
century 24 per cent of all the portraits and 50 per cent in the twentieth century .
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Obsah
Chapter One FORMS AND PROBLEMS OF CULTURE INTEGRATION AND METHODS | 3 |
Culture integration and culture unity a dark problem Most of | 49 |
Chapter Two IDEATIONAL SENSATE IDEALISTIC AND MIXED SYSTEMS | 55 |
Autorské práva | |
61 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
Časté výrazy a frázy
Active appear architecture artists Ascetic aspect beauty becomes beginning body century chapter character Christian classes classical complete continued countries course culture depicted direction discussed dominant elements empirical especially essential existence expression external fact field fifth figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass Percentages period persons phenomena present principle problem purely qualitative reality reason recurrence regard religion religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stage style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole
Bibliografické informácie
| Názov | Social and Cultural Dynamics, Zväzok 1 Social and Cultural Dynamics, Pitirim Aleksandrovich Sorokin |
| Autor | Pitirim Aleksandrovich Sorokin |
| Vydavateľ | Bedminster Press, 1962 |
| Zdroj originálu: | Ohájska štátna univerzita |
| Digitalizované | 12. apr. 2016 |
| Exportovať citáciu | BiBTeX EndNote RefMan |