Social and Cultural Dynamics, Zväzok 1 |
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Strana 384
completely separated from the secular and had to be religious , so to speak , ex officio . At that time it was already a very minor stream in the general river of art , which had become overwhelmingly secular .
completely separated from the secular and had to be religious , so to speak , ex officio . At that time it was already a very minor stream in the general river of art , which had become overwhelmingly secular .
Strana 469
secular art , in its periods of secondary ups and downs . But the main trend of increase in the present century is common to all the European countries . The Islamic art is marked by an almost total absence of this type .
secular art , in its periods of secondary ups and downs . But the main trend of increase in the present century is common to all the European countries . The Islamic art is marked by an almost total absence of this type .
Strana 470
However , one has to keep in mind that for the centuries before the fourteenth the total of the secular pictures makes only a small fraction of the total pictures secular and religious — 18.1 per cent for the centuries before the tenth ...
However , one has to keep in mind that for the centuries before the fourteenth the total of the secular pictures makes only a small fraction of the total pictures secular and religious — 18.1 per cent for the centuries before the tenth ...
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Chapter One FORMS AND PROBLEMS OF CULTURE INTEGRATION AND METHODS | 3 |
Culture integration and culture unity a dark problem Most of | 49 |
LIST OF TABLES | 97 |
Autorské práva | |
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Active appear architecture artists Ascetic aspect beauty becomes beginning body century chapter character Christian classes classical complete countries course culture depicted direction discussed dominant elements empirical especially essential existence expression external fact field fifth figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy kind later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass Percentages period persons phenomena present principle problem purely qualitative reality reason recurrence regard religion religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stage style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole