Social and Cultural Dynamics, Zväzok 1 |
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Strana 116
Destroy contact , then will end sensation ; destroy the six entrances ( six organs of sense ) , then will contact cease ; the six entrances all destroyed ( not in physical sense , but in the sense of giving ...
Destroy contact , then will end sensation ; destroy the six entrances ( six organs of sense ) , then will contact cease ; the six entrances all destroyed ( not in physical sense , but in the sense of giving ...
Strana 181
The characterization has been intentionally concise and , this sense , preliminary . ... VARYINGLY RECURRENT PATTERNS OF PROCESS FROM THE STANDPOINT OF THEIR DIRECTION As we have mentioned , processes have directions with their senses .
The characterization has been intentionally concise and , this sense , preliminary . ... VARYINGLY RECURRENT PATTERNS OF PROCESS FROM THE STANDPOINT OF THEIR DIRECTION As we have mentioned , processes have directions with their senses .
Strana 362
... to one organ of our senses — the cubists want to render them as they are presented by two or more organs of sense ... eyes alone but they are presented , in all their materiality , by touch , and perhaps by other organs of sense .
... to one organ of our senses — the cubists want to render them as they are presented by two or more organs of sense ... eyes alone but they are presented , in all their materiality , by touch , and perhaps by other organs of sense .
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Obsah
Chapter One FORMS AND PROBLEMS OF CULTURE INTEGRATION AND METHODS | 3 |
Culture integration and culture unity a dark problem Most of | 49 |
LIST OF TABLES | 97 |
Autorské práva | |
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Časté výrazy a frázy
Active appear architecture artists Ascetic aspect beauty becomes beginning body century chapter character Christian classes classical complete countries course culture depicted direction discussed dominant elements empirical especially essential existence expression external fact field fifth figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy kind later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass Percentages period persons phenomena present principle problem purely qualitative reality reason recurrence regard religion religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stage style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole