ShakespeareEdinburgh University Press, 2007 - 282 strán (strany) Edinburgh Critical Guides to Literature Series Editors: Martin Halliwell and Andy Mousley This series provides accessible yet provocative introductions to a wide range of literatures. The volumes will initiate and deepen the reader's understanding of key literary movements, periods and genres, and consider debates that inform the past, present and future of literary study. Resources such as glossaries of key terms and details of archives and internet sites are also provided, making each volume a comprehensive critical guide. Shakespeare (Edinburgh Critical Guides to Literature Series) Gabriel Egan This book helps the reader make sense of the most commonly studied writer in the world. It starts with a brief explanation of how Shakespeare's writings have come down to us as a series of scripts for actors in the early modern theatre industry of London. The main chapters of the book approach the texts through a series of questions: 'what's changed since Shakespeare's time?', 'to what uses has Shakespeare been put?', and 'what value is there in Shakespeare?' These questions go to the heart of why we study Shakespeare at all, which question the book encourages the readers to answer for themselves in relation to their own critical writing. Key Features * A chronology of Shakespeare's career as an actor/dramatist that locates him within the theatre industry of his time * New readings of twelve plays that form a core of the Shakespeare canon: A Midsummer Night's Dream, Much Ado About Nothing, Richard 2, Henry 5, Hamlet, Othello, All's Well that Ends Well, The Winter's Tale, Macbeth, Measure for Measure, The Tempest, and Timon of Athens * Critical analyses organized by genre (comedies, histories, tragedies, and romance) and by four key critical approaches: authorship, performance, identities, and materialism * An extensive resources section, including a glossary of the i |
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Strana 265
... Shakespeare Survey , 41 ( 1989 ) , 23-34 . Greenblatt , Stephen , ' Invisible Bullets : Renaissance Authority and Its Subversion , Henry IV and Henry V and Leonard Tennenhouse ' Strategies of State and Political Plays : A Midsummer ...
... Shakespeare Survey , 41 ( 1989 ) , 23-34 . Greenblatt , Stephen , ' Invisible Bullets : Renaissance Authority and Its Subversion , Henry IV and Henry V and Leonard Tennenhouse ' Strategies of State and Political Plays : A Midsummer ...
Strana 268
... Shakespeare Survey , 41 ( 1989 ) , 133-44 . Callaghan , Dympna , ' Looking Well to Linens : Women and Cultural Production in Othello and Shakespeare's England ' , in Marxist Shakespeares , ed . Jean E. Howard and Scott Cutler Shershow ...
... Shakespeare Survey , 41 ( 1989 ) , 133-44 . Callaghan , Dympna , ' Looking Well to Linens : Women and Cultural Production in Othello and Shakespeare's England ' , in Marxist Shakespeares , ed . Jean E. Howard and Scott Cutler Shershow ...
Strana 271
... Shakespeare Survey , 57 : Macbeth and Its Afterlife ( Cambridge : Cambridge University Press , 2004 ) . Kinney , Arthur F. , Lies Like Truth : Shakespeare , Macbeth , and the Cultural Moment ( Detroit , MI : Wayne State University Press ...
... Shakespeare Survey , 57 : Macbeth and Its Afterlife ( Cambridge : Cambridge University Press , 2004 ) . Kinney , Arthur F. , Lies Like Truth : Shakespeare , Macbeth , and the Cultural Moment ( Detroit , MI : Wayne State University Press ...
Obsah
Introduction | 1 |
A Midsummer Nights Dream | 19 |
Richard 2 and Henry 5 | 46 |
Autorské práva | |
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