Shakespeare's Tragic SkepticismYale University Press, 1. 1. 2002 - 283 strán (strany) Readers of Shakespeare's greatest tragedies have long noted the absence of readily explainable motivations for some of Shakespeare's greatest characters: why does Hamlet delay his revenge for so long? Why does King Lear choose to renounce his power? Why is Othello so vulnerable to Iago's malice? But while many critics have chosen to overlook these omissions or explain them away, Millicent Bell demonstrates that they are essential elements of Shakespeare's philosophy of doubt. Examining the major tragedies, Millicent Bell reveals the persistent strain of philosophical skepticism. Like his contemporary, Montaigne, Shakespeare repeatedly calls attention to the essential unknowability of our world. In a period of social, political, and religious upheaval, uncertainty hovered over matters great and small--the succession of the crown, the death of loved ones from plague, the failure of a harvest. Tumultuous social conditions raised ultimate questions for Shakespeare, Bell argues, and ultimately provoked in him a skepticism which casts shadows of existential doubt over his greatest masterpieces. |
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Strana 13
... kind of certainty in itself . It consisted of a readiness not so much to deny what had always been believed as to say that one could not really know one way or another . Under- standably , the Catholic Church has never been at ease ...
... kind of certainty in itself . It consisted of a readiness not so much to deny what had always been believed as to say that one could not really know one way or another . Under- standably , the Catholic Church has never been at ease ...
Strana 17
... kind of compassion to see the poore and seely people abused with such follies . And now I perceive , that I was as much to be moaned my- selfe : Not that experience hath since made me to dicerne any thing beyond my former opinions : yet ...
... kind of compassion to see the poore and seely people abused with such follies . And now I perceive , that I was as much to be moaned my- selfe : Not that experience hath since made me to dicerne any thing beyond my former opinions : yet ...
Strana 18
... kind of new stuff — the latest thing around — that might have been talked about and passed about in manuscript among young men just down from the universities , Inns of Court men studying the law but fascinated by the theater , writers ...
... kind of new stuff — the latest thing around — that might have been talked about and passed about in manuscript among young men just down from the universities , Inns of Court men studying the law but fascinated by the theater , writers ...
Strana 31
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Strana 38
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Obsah
Hamlet Revenge | 29 |
Othellos Jealousy | 80 |
Unaccommodated Lear | 138 |
Macbeths Deeds | 191 |
The Roman Frame | 241 |
Selected Bibliography | 279 |
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action actor ambiguous ambition Antony and Cleopatra Antony's appears asks audience Banquo blood Brabantio Brutus called Cassio cause character Claudius Cordelia crime daughters death deed denies Desdemona doubt dramatic Duncan Edgar Edmund Emilia expressed faith false father feel fideism Florio Folio Fool Fortinbras fourth act ghost Gloucester Goneril Hamlet hath hear Holinshed Horatio human Iago Iago's idea identity imagination jealousy Julius Caesar Kent killed King Lear Lady Macbeth Laertes lago Lear's Macduff Machiavellian madness Malcolm marriage meaning mind Montaigne Montaigne's motive murder nature never observed Ophelia Othello philosophic skepticism play's playwright plot Plutarch Polonius prophecy Quarto reference Regan reminds revenge Roderigo role Roman royal says scene seems selfhood sense sexual Shake Shakespeare Shakespeare's play skepticism social soliloquy someone speaks speare's stage story suggested tells theater theatrical things thou thought tion tragedy tragic trial true truth witchcraft witches word