Figural Choice in Poetry and Art

abstract allows Apollinaire Ashbery association attention become beginning Breton called color combination comes common compared comparison complex connection contradiction course Creeley Delaunay discussion distinction dream effect elements expression eyes fact fall figure final fire force function further given hand Homer ideas language less light logical look means metaphor move movement named narrative nature object offers Olson once opening orange painter painting Paris particular perception phrase play poem poet poetry possibility Pound powerful present Press questions reference relation rhetorical says sculpture seen sense sequence signified simile simple single sort space speaker speaks stand statement Stevens stone story structure suggests Surrealism Surrealist taken term things thought tion turn unconscious University verbal visual voice whole window yellow York