Harvard Studies in Classical Philology, Zväzok 35Harvard University Press, 1924 |
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Aldus Aldus's ancient artist attributed Avantius Barwick bearded Beazley Beroaldus Bodleian volume Book Budaeus Catanaeus Chachrylion Chachrylion's vases chiton Cicero Cicero Orator conjecture CONTENTS OF VOLUME copy decoration decorum discussion doctrine drapery edition elocutio emendation EPIA Epidromos vases Epiktetos error Euphronios Euthymides Exterior figures foreshortened genres Geryon Greek hair hand he holds hangs Hartwig head helmet Herakles Hermes himation Hoppin Horace Horace's Horatian indicated infra inscription interior Jucundus KAVOS Keil kylix Leagros left hand Letters lines Lucilius Maenad manuscript master Merrill Museum Neoptolemus officia officium Orator Oratore Orelli palmette Panaetius parallel strokes Parisinus passage perfect orator perfect poet Philodemus plain style Plato Pliny poetae Poetica poetry Quintilian quod reading réxvn rhetorical theory right hand Roman seems seen full-front Seilenos shoulder shows side signed vases stylistic sunt supra Theseus tion treatment warrior wears wreathed καὶ
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Strana 46 - ... ergo fungar vice cotis, acutum reddere quae ferrum valet exsors ipsa secandi ; munus et officium, nil scribens ipse, docebo, unde parentur opes, quid alat formetque poetam, quid deceat, quid non, quo virtus, quo ferat error...
Strana 21 - Sumite materiam vestris , qui scribitis , aequam Viribus, et versate diu, quid ferre recusent, Quid valeant humeri. Cui lecta potenter erit res , «> Nee facundia deseret hunc, nee lucidus ordo.
Strana 5 - Plato was essentially a poet — the truth and splendour of his imagery, and the melody of his language, are the most intense that it is possible to conceive. He rejected the measure of the epic, dramatic, and lyrical forms, because he sought to kindle a harmony in thoughts divested of shape and action, and he forbore to invent any regular plan of rhythm which would include, under determinate forms, the varied pauses of his style.
Strana 62 - Erit igitur eloquens — hunc enim auctore Antonio quaerimus — is qui in foro causisque civilibus ita dicet, ut probet, ut delectet, ut flectat.
Strana 4 - Itaque video visum esse nonnullis, Platonis et Democriti locutionem, etsi absit a versu, tarnen quod incitatius feratur et clarissimis verborum luminibus utatur, potius poema putandum quam comicorum poetarum; apud quos, nisi quod versiculi sunt, nihil est aliud cotidiani dissimile sermonis.
Strana 70 - Apollo, natura fieret laudabile carmen an arte, quaesitum est : ego nee Studium sine divite vena, nee rude quid prosit video ingenium : alterius sic 410 altera poscit opem res et coniurat amice...
Strana 32 - Chrêmes túmido delitigat ore; 95 et tragicus plerumque dolet sermone pedestri Telephus et Peleus, cum pauper et exul uterque proicit ampullas et sesquipedalia verba, si curat cor spectantis tetigisse querella, non satis est pulchra esse poemata : dulcía sunto 100 et quocumque volent animum auditoris agunto.
Strana 70 - Pompilius sanguis, carmen reprehendite, quod non multa dies et multa litura coercuit atque perfectum deciens non castigavit ad unguem. ingenium misera quia fortunatius arte 295 credit et excludit sanos Helicone poetas Democritus, bona pars non unguis ponere curat, non barbam, secreta petit loca, balnea vitat.
Strana 4 - ... et sermone opus est modo tristi, saepe iocoso, defendente vicem modo rhetoris atque poetae, interdum urbani, parcentis viribus atque extenuantis eas consulto, ridiculum acri fortius et melius magnas plerumque secat res.
Strana 62 - Antonio quaerimus — is qui in foro causisque civilibus ita dicet, ut probet, ut delectet, ut flectat. Probare necessitatis est, delectare suavitatis, flectere victoriae ; nam id unum ex omnibus ad obtinendas causas potest plurimum. Sed quot officia oratoris tot sunt genera dicendi : subtile in probando, modicum in delectando, vehemens in flectendo ; in quo uno vis 70 omnis oratoris est.