Characters of Shakespeare's PlaysWiley and Putnam, 1845 - 229 strán (strany) |
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Strana xvi
... Iago and Richard the Third . The constant reference to a petty and puny race must cripple the boldness of the poet . Fortunately for his art , Shakspeare lived in an age extremely suscepti- ble of noble and tender impressions , but ...
... Iago and Richard the Third . The constant reference to a petty and puny race must cripple the boldness of the poet . Fortunately for his art , Shakspeare lived in an age extremely suscepti- ble of noble and tender impressions , but ...
Strana 29
... Iago , the good - natured Cassio , the fool Roderigo , present a range and variety of character as striking and palpable as that produced by the opposition of cos- tume in a picture . Their distinguishing qualities stand out to the ...
... Iago , the good - natured Cassio , the fool Roderigo , present a range and variety of character as striking and palpable as that produced by the opposition of cos- tume in a picture . Their distinguishing qualities stand out to the ...
Strana 31
... Iago , and rankling there to poison , till he loses all command of himself , and his rage can only be appeased by blood . She is introduced , just before Iago begins to put his scheme in practice , pleading for Cassio with all the ...
... Iago , and rankling there to poison , till he loses all command of himself , and his rage can only be appeased by blood . She is introduced , just before Iago begins to put his scheme in practice , pleading for Cassio with all the ...
Strana 32
... Iago by false aspersions , and by presenting the most revolting images to his mind , * easily turns the storm of passion from himself against Desdemona , and works him up into a trembling agony of doubt and fear , in which he abandons ...
... Iago by false aspersions , and by presenting the most revolting images to his mind , * easily turns the storm of passion from himself against Desdemona , and works him up into a trembling agony of doubt and fear , in which he abandons ...
Strana 33
... Iago first begins to practise upon his unsuspecting friendship , he answers— " ' Tis not to make me jealous , To say — my wife is fair , feeds well , loves company , Is free of speech , sings , plays , and dances well ; Where virtue is ...
... Iago first begins to practise upon his unsuspecting friendship , he answers— " ' Tis not to make me jealous , To say — my wife is fair , feeds well , loves company , Is free of speech , sings , plays , and dances well ; Where virtue is ...
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admirable affections Antony Apemantus appear banish Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances CLAUDIO comedy comic contempt Cordelia Coriolanus critic CYMBELINE death Desdemona Dost thou doth dramatic eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave hath hear heart heaven Henry honor human humor Iago imagination Juliet JULIUS CÆSAR king lady Lear live look lord lover Macbeth MALVOLIO manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion PERDITA person pity play poet poetry prince racter revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shak Shakspeare Shakspeare's SIR TOBY sleep soul speak speare's speech spirit stage story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth unto villain wife youth