Characters of Shakespeare's PlaysWiley and Putnam, 1845 - 229 strán (strany) |
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Strana vii
... RICHARD II . • HENRY IV . IN Two PARTS HENRY V. HENRY VI . IN THREE PARTS . RICHARD III . HENRY VIII . .KING JOHN TWELFTH NIGHT ; OR , WHAT YOU WILL THE TWO GENTLEMEN OF VERONA -THE MERCHANT OF VENICE THE WINTER'S TALE ALL'S WELL THAT ...
... RICHARD II . • HENRY IV . IN Two PARTS HENRY V. HENRY VI . IN THREE PARTS . RICHARD III . HENRY VIII . .KING JOHN TWELFTH NIGHT ; OR , WHAT YOU WILL THE TWO GENTLEMEN OF VERONA -THE MERCHANT OF VENICE THE WINTER'S TALE ALL'S WELL THAT ...
Strana xii
... Richard III . , which is an exceedingly ingenious piece of analytical criti- cism . Richardson's Essays include but a few of Shak- speare's principal characters . The only work which seemed to supersede the necessity of an attempt like ...
... Richard III . , which is an exceedingly ingenious piece of analytical criti- cism . Richardson's Essays include but a few of Shak- speare's principal characters . The only work which seemed to supersede the necessity of an attempt like ...
Strana xvi
... Richard the Third . The constant reference to a petty and puny race must cripple the boldness of the poet . Fortunately for his art , Shakspeare lived in an age extremely suscepti- ble of noble and tender impressions , but which had ...
... Richard the Third . The constant reference to a petty and puny race must cripple the boldness of the poet . Fortunately for his art , Shakspeare lived in an age extremely suscepti- ble of noble and tender impressions , but which had ...
Strana 18
... Richard III . from Richard II . Shakspeare has with wonderful accuracy , and without the smallest appear- ance of effort , varied the portraits of imbecility and effeminacy in the two deposed monarchs . With still more powerful and ...
... Richard III . from Richard II . Shakspeare has with wonderful accuracy , and without the smallest appear- ance of effort , varied the portraits of imbecility and effeminacy in the two deposed monarchs . With still more powerful and ...
Strana 19
... Richard's cruelty , which resembles the cold malignity , the wan- ton malice , of a fiend rather than the frailty of human nature . Macbeth is goaded on to acts of violence and retaliation by ne- cessity ; to Richard , blood is a ...
... Richard's cruelty , which resembles the cold malignity , the wan- ton malice , of a fiend rather than the frailty of human nature . Macbeth is goaded on to acts of violence and retaliation by ne- cessity ; to Richard , blood is a ...
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admirable affections Antony Apemantus appear banish Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances CLAUDIO comedy comic contempt Cordelia Coriolanus critic CYMBELINE death Desdemona Dost thou doth dramatic eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave hath hear heart heaven Henry honor human humor Iago imagination Juliet JULIUS CÆSAR king lady Lear live look lord lover Macbeth MALVOLIO manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion PERDITA person pity play poet poetry prince racter revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shak Shakspeare Shakspeare's SIR TOBY sleep soul speak speare's speech spirit stage story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth unto villain wife youth