Characters of Shakespeare's PlaysWiley and Putnam, 1845 - 229 strán (strany) |
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Strana xviii
... beauty was a fault ; for it appeared to him like an excrescence ; and his imagination was dazzled by the blaze of light . His writings neither shone with the beams of native genius , nor reflected them . The shifting shapes of fancy ...
... beauty was a fault ; for it appeared to him like an excrescence ; and his imagination was dazzled by the blaze of light . His writings neither shone with the beams of native genius , nor reflected them . The shifting shapes of fancy ...
Strana xx
... beauty of the passages here referred to . A stately common - place , such as Con- greve's description of a ruin in The Mourning Bride , would have answered Johnson's purpose just as well , or better than the first ; and an ...
... beauty of the passages here referred to . A stately common - place , such as Con- greve's description of a ruin in The Mourning Bride , would have answered Johnson's purpose just as well , or better than the first ; and an ...
Strana xxi
... beauty ; and to any one , not feeling the full force of that epithet , which suggests an image like " the sleepy eye of love , " the allusion to " the lids of Juno's eyes " must appear extravagant and unmeaning . Shak- speare's fancy ...
... beauty ; and to any one , not feeling the full force of that epithet , which suggests an image like " the sleepy eye of love , " the allusion to " the lids of Juno's eyes " must appear extravagant and unmeaning . Shak- speare's fancy ...
Strana 5
... beauty is excited with as little conscious- ness as possible on her part . There are two delicious descrip- tions given of her , one when she is asleep , and one when she is supposed dead . Arviragus thus addresses her— " With fairest ...
... beauty is excited with as little conscious- ness as possible on her part . There are two delicious descrip- tions given of her , one when she is asleep , and one when she is supposed dead . Arviragus thus addresses her— " With fairest ...
Strana 6
William Hazlitt. There is a moral sense in the proud beauty of this last image , a rich surfeit of the fancy , —as that well - known passage begin . ning , " Me of my lawful pleasure she restrained , and prayed me oft forbearance ...
William Hazlitt. There is a moral sense in the proud beauty of this last image , a rich surfeit of the fancy , —as that well - known passage begin . ning , " Me of my lawful pleasure she restrained , and prayed me oft forbearance ...
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admirable affections Antony Apemantus appear banish Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances CLAUDIO comedy comic contempt Cordelia Coriolanus critic CYMBELINE death Desdemona Dost thou doth dramatic eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave hath hear heart heaven Henry honor human humor Iago imagination Juliet JULIUS CÆSAR king lady Lear live look lord lover Macbeth MALVOLIO manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion PERDITA person pity play poet poetry prince racter revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shak Shakspeare Shakspeare's SIR TOBY sleep soul speak speare's speech spirit stage story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth unto villain wife youth