Characters of Shakespeare's PlaysWiley and Putnam, 1845 - 229 strán (strany) |
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Strana xix
... eye of fancy , under the influence of passion . It is the province of the didactic reasoner to take cognizance of those results of human nature which are constantly repeated and always the same , which follow one another in regular ...
... eye of fancy , under the influence of passion . It is the province of the didactic reasoner to take cognizance of those results of human nature which are constantly repeated and always the same , which follow one another in regular ...
Strana xx
... eye , " which is necessary to the painter or musician , but without that intenseness of passion which , seeking to ... eyes , Or Cytherea's breath . " No one who does not feel the passion which these objects inspire can go along with ...
... eye , " which is necessary to the painter or musician , but without that intenseness of passion which , seeking to ... eyes , Or Cytherea's breath . " No one who does not feel the passion which these objects inspire can go along with ...
Strana xxi
... eye of love , " the allusion to " the lids of Juno's eyes " must appear extravagant and unmeaning . Shak- speare's fancy lent words and images to the most refined sensibility to nature , struggling for expression : his descrip- tions ...
... eye of love , " the allusion to " the lids of Juno's eyes " must appear extravagant and unmeaning . Shak- speare's fancy lent words and images to the most refined sensibility to nature , struggling for expression : his descrip- tions ...
Strana 10
... eyes ; the " gracious Duncan , " the " blood - boltered Banquo " stand before us ; all that passed through the mind of Macbeth passes , without the loss of a tittle , through our's . All that could actually take place , and all that is ...
... eyes ; the " gracious Duncan , " the " blood - boltered Banquo " stand before us ; all that passed through the mind of Macbeth passes , without the loss of a tittle , through our's . All that could actually take place , and all that is ...
Strana 14
... eyes were open , but their sense was shut . She was like a person bewildered and uncon- scious of what she did . Her lips moved involuntarily all her gestures were involuntary and mechanical . She glided on and off the stage like an ...
... eyes were open , but their sense was shut . She was like a person bewildered and uncon- scious of what she did . Her lips moved involuntarily all her gestures were involuntary and mechanical . She glided on and off the stage like an ...
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admirable affections Antony Apemantus appear banish Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances CLAUDIO comedy comic contempt Cordelia Coriolanus critic CYMBELINE death Desdemona Dost thou doth dramatic eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave hath hear heart heaven Henry honor human humor Iago imagination Juliet JULIUS CÆSAR king lady Lear live look lord lover Macbeth MALVOLIO manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion PERDITA person pity play poet poetry prince racter revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shak Shakspeare Shakspeare's SIR TOBY sleep soul speak speare's speech spirit stage story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth unto villain wife youth