Shakespeare's Webs: Networks of Meaning in Renaissance DramaRoutledge, 6. 12. 2012 - 192 strán (strany) In this book, renowned Renaissance drama critic Arthur F. Kinney argues that Shakespeare's method of composing plays through networks of meanings can be seen as a harbinger of today's information technology. Drawing upon hypertext and cognitive theory--areas that have for some time promised to take on more importance in the sphere of Shakespeare Studies--as well as the central metaphor of the Routledge collection The Renaissance Computer, Kinney looks in detail at four objects/images in Shakespeare's plays--mirrors, maps, clocks, and books--and explores the ways in which they make up networks of meaning within single plays and across the dramatist's body of work that anticipate in some ways the networks of meaning or "information" now possible in the computer age. |
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Strana vii
... Thomas Crane and Alan Richardson (1999) The modern playhouse in England was a theater of easily held things. Hand-held objects figured centrally in plays of all genres there, not just the dramatic adventures of “amorous knight[s]” that ...
... Thomas Crane and Alan Richardson (1999) The modern playhouse in England was a theater of easily held things. Hand-held objects figured centrally in plays of all genres there, not just the dramatic adventures of “amorous knight[s]” that ...
Strana viii
... Thomas Crane writes, “Virtually all branches of cognitive science are centered on investigation of the ways in which the mind (the conscious and unconscious mental experiences of perception, thought, and language) is produced by the ...
... Thomas Crane writes, “Virtually all branches of cognitive science are centered on investigation of the ways in which the mind (the conscious and unconscious mental experiences of perception, thought, and language) is produced by the ...
Strana x
... Thomas Nashe, Ben Jonson, John Donne, and Thomas Middleton—to name only a few— we are forced to admit that these authors 'theorized' objects, and people's relationship to them, in quite complicated and compelling ways. Theirs was a ...
... Thomas Nashe, Ben Jonson, John Donne, and Thomas Middleton—to name only a few— we are forced to admit that these authors 'theorized' objects, and people's relationship to them, in quite complicated and compelling ways. Theirs was a ...
Strana xi
... Thomas Crane and her colleague Andrew Sofer, from Peter Stallybrass, from my Australian colleague Hugh Craig, and from two current graduate students, Kevin Petersen and Anne-Marie Strohman, as well as from those many authors cited in ...
... Thomas Crane and her colleague Andrew Sofer, from Peter Stallybrass, from my Australian colleague Hugh Craig, and from two current graduate students, Kevin Petersen and Anne-Marie Strohman, as well as from those many authors cited in ...
Strana 5
... Thomas Hoby's translation of Castiglione's Il Libro del Cortegiano in 1561 announced the Italian philosopher's purpose for writing The Courtier: to give “To Ladies and Gentlewomen, a mirrour to decke and trimme themselves with vertuous ...
... Thomas Hoby's translation of Castiglione's Il Libro del Cortegiano in 1561 announced the Italian philosopher's purpose for writing The Courtier: to give “To Ladies and Gentlewomen, a mirrour to decke and trimme themselves with vertuous ...
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