Shakespeare's Webs: Networks of Meaning in Renaissance DramaRoutledge, 6. 12. 2012 - 192 strán (strany) In this book, renowned Renaissance drama critic Arthur F. Kinney argues that Shakespeare's method of composing plays through networks of meanings can be seen as a harbinger of today's information technology. Drawing upon hypertext and cognitive theory--areas that have for some time promised to take on more importance in the sphere of Shakespeare Studies--as well as the central metaphor of the Routledge collection The Renaissance Computer, Kinney looks in detail at four objects/images in Shakespeare's plays--mirrors, maps, clocks, and books--and explores the ways in which they make up networks of meaning within single plays and across the dramatist's body of work that anticipate in some ways the networks of meaning or "information" now possible in the computer age. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 35.
Strana v
... Mirrors 1 Chapter 2 Shakespeare's Books 35 Chapter 3 Shakespeare's Clocks 69 Chapter 4 Shakespeare's Maps 101 Chapter 5 Conclusion 145 Notes 151 Index 159 PREFACE Let nothing then hinder us from acknowledging the brain v CONTENTS.
... Mirrors 1 Chapter 2 Shakespeare's Books 35 Chapter 3 Shakespeare's Clocks 69 Chapter 4 Shakespeare's Maps 101 Chapter 5 Conclusion 145 Notes 151 Index 159 PREFACE Let nothing then hinder us from acknowledging the brain v CONTENTS.
Strana x
... clocks denoting time “can work together to broaden and deepen our understanding of stage properties, the plays in which they appear, the institutions and agents that own them, and the social, economic and cultural contexts in which they ...
... clocks denoting time “can work together to broaden and deepen our understanding of stage properties, the plays in which they appear, the institutions and agents that own them, and the social, economic and cultural contexts in which they ...
Strana xxiii
... clocks, and maps. Paul B. Armstrong has proposed that “we think of a work [such as a play by Shakespeare] as 'heteronomous' to its interpreters—paradoxically both dependent and independent, capable of taking on different shapes ...
... clocks, and maps. Paul B. Armstrong has proposed that “we think of a work [such as a play by Shakespeare] as 'heteronomous' to its interpreters—paradoxically both dependent and independent, capable of taking on different shapes ...
Strana 68
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Dosiahli ste svoj limit zobrazení tejto knihy..
Strana 69
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Dosiahli ste svoj limit zobrazení tejto knihy..
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