Shakespeare's Webs: Networks of Meaning in Renaissance DramaRoutledge, 6. 12. 2012 - 192 strán (strany) In this book, renowned Renaissance drama critic Arthur F. Kinney argues that Shakespeare's method of composing plays through networks of meanings can be seen as a harbinger of today's information technology. Drawing upon hypertext and cognitive theory--areas that have for some time promised to take on more importance in the sphere of Shakespeare Studies--as well as the central metaphor of the Routledge collection The Renaissance Computer, Kinney looks in detail at four objects/images in Shakespeare's plays--mirrors, maps, clocks, and books--and explores the ways in which they make up networks of meaning within single plays and across the dramatist's body of work that anticipate in some ways the networks of meaning or "information" now possible in the computer age. |
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Strana 6
... land.” Justus Zinzerling, a traveler from Thuringia and doctor of Laws at Basle, and Peter Eisenberg mention the same mirror in a guidebook, embellishing the story; for Eisenberg, “this mirror broke in pieces of itself when the King ...
... land.” Justus Zinzerling, a traveler from Thuringia and doctor of Laws at Basle, and Peter Eisenberg mention the same mirror in a guidebook, embellishing the story; for Eisenberg, “this mirror broke in pieces of itself when the King ...
Strana 43
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Strana 77
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Strana 89
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Strana 102
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according action activity become bell body brain called Cambridge Claudius clock cognitive concept continues court cultural daughter death divided early Elizabethan England English face father fear Figure give glass Goneril Hamlet hand hath Henry History hold hour human Italy John Juliet Kent kind King Lady land language Lear learning lines live London looking lord marginal mark material matter means measure memory mind mirror nature night notes objects observation Ophelia painted past patterns person play Polonius possible practice present Quoted record reference reflection rhetoric Richard Romeo rule scene seems sense Shakespeare’s soul speak stage tells thee things Thomas thou thought tion true turn University Press writes York