Shakespeare's Webs: Networks of Meaning in Renaissance DramaRoutledge, 6. 12. 2012 - 192 strán (strany) In this book, renowned Renaissance drama critic Arthur F. Kinney argues that Shakespeare's method of composing plays through networks of meanings can be seen as a harbinger of today's information technology. Drawing upon hypertext and cognitive theory--areas that have for some time promised to take on more importance in the sphere of Shakespeare Studies--as well as the central metaphor of the Routledge collection The Renaissance Computer, Kinney looks in detail at four objects/images in Shakespeare's plays--mirrors, maps, clocks, and books--and explores the ways in which they make up networks of meaning within single plays and across the dramatist's body of work that anticipate in some ways the networks of meaning or "information" now possible in the computer age. |
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Strana x
... stage properties, the plays in which they appear, the institutions and agents that own them, and the social, economic and cultural contexts in which they are embodied.”9 In another recent study, The Stage Life of Props, Andrew Sofer ...
... stage properties, the plays in which they appear, the institutions and agents that own them, and the social, economic and cultural contexts in which they are embodied.”9 In another recent study, The Stage Life of Props, Andrew Sofer ...
Strana xiii
... stage once the court has departed, the prince remarks: O that this too too solid flesh would melt, Thaw, and resolve itself into a dew, Or that the Everlasting had not fixed His canon 'gainst self-slaughter! O God, o God, How weary ...
... stage once the court has departed, the prince remarks: O that this too too solid flesh would melt, Thaw, and resolve itself into a dew, Or that the Everlasting had not fixed His canon 'gainst self-slaughter! O God, o God, How weary ...
Strana xxi
... stage: before Boling- broke, before members of Parliament, on the instant deposition is advanced as a possibility. Cognition stems not just from ongoing biological processes and from individual and social experiences, beliefs, and ...
... stage: before Boling- broke, before members of Parliament, on the instant deposition is advanced as a possibility. Cognition stems not just from ongoing biological processes and from individual and social experiences, beliefs, and ...
Strana xxiii
... stage properties, too, such as a book or a map. “[T]he prop's impact,” according to Andrew Sofer, “is mediated both by the gestures of the individual actor who handles the object, and by the horizon of interpretations [to which we ...
... stage properties, too, such as a book or a map. “[T]he prop's impact,” according to Andrew Sofer, “is mediated both by the gestures of the individual actor who handles the object, and by the horizon of interpretations [to which we ...
Strana xxiv
... The new materialism, coupled with cognitive practices, makes stage properties as seen in this process at least as important as the words that surround them. 1 SHAKESPEARE'S MIRRORS At a memorable moment that is a xxiv • Introduction.
... The new materialism, coupled with cognitive practices, makes stage properties as seen in this process at least as important as the words that surround them. 1 SHAKESPEARE'S MIRRORS At a memorable moment that is a xxiv • Introduction.
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