Characters of Shakespeare's PlaysH. Milford, Oxford University Press, 1947 - 287 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 36.
Strana 3
... stage , accounts for the want of prominence and theatrical display in Shakespeare's female characters from the circumstance , that women in those days were not allowed to play the parts of women , which made it necessary to keep them a ...
... stage , accounts for the want of prominence and theatrical display in Shakespeare's female characters from the circumstance , that women in those days were not allowed to play the parts of women , which made it necessary to keep them a ...
Strana 24
... stage , and we doubt if the furies of Aeschylus would be more respected . The progress of manners and knowledge has an influence on the stage , and will in time perhaps destroy both tragedy and comedy . Filch's picking pockets , in the ...
... stage , and we doubt if the furies of Aeschylus would be more respected . The progress of manners and knowledge has an influence on the stage , and will in time perhaps destroy both tragedy and comedy . Filch's picking pockets , in the ...
Strana 108
... stage do not agree well together . The attempt to reconcile them in this instance fails not only of effect , but of decorum . The ideal can have no place upon the stage , which is a picture without perspective : everything there is in ...
... stage do not agree well together . The attempt to reconcile them in this instance fails not only of effect , but of decorum . The ideal can have no place upon the stage , which is a picture without perspective : everything there is in ...
Iné vydania - Zobraziť všetky
Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt Úplné zobrazenie - 1920 |
Časté výrazy a frázy
admirable affections answer Antony Apemantus Arthur banished Banquo beauty Ben Jonson blood breath Brutus Caesar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus critic Cymbeline daughter death Desdemona Dost thou doth dramatic eyes Falstaff fancy father fear feeling fool friends genius give Gonerill grace grave Hamlet hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination Juliet king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony Midsummer Night's Dream mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince refined Regan revenge Richard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Sir Toby sleep soul speak speech spirit striking sweet tender thee things thou art thought tion Titus Andronicus tongue tragedy truth wife words Yorkshire Tragedy youth