Say It Like Shakespeare: How to Give a Speech Like Hamlet, Persuade Like Henry V, and Other Secrets from the World’s Greatest CommunicatorMcGraw Hill Professional, 4. 5. 2001 - 313 strán (strany) Book Info A guide to better communication skills using the trademark persuasion style of famous playright, William Shakespeare. Takes examples from Shakespeare's characters and plays to illustrate the qualities and skills an excellent communicator must have, helping readers empower themselves to be more effective in front of an audience, as part of a team, or one-on-one. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 4 z 4.
Strana iii
... Voice 37 5. Speak Plain and to the Purpose : Enhancing Language Power 47 6. Is Your English Frittered ? Overcoming Language Deficiencies 61 7. Suit the Action to the Word : Body Language That Works for You 79 8. Let the Apparel Proclaim ...
... Voice 37 5. Speak Plain and to the Purpose : Enhancing Language Power 47 6. Is Your English Frittered ? Overcoming Language Deficiencies 61 7. Suit the Action to the Word : Body Language That Works for You 79 8. Let the Apparel Proclaim ...
Strana 4
... voice , nonverbal communication , appearance , lis- tening , and relationships . Do these skills sound like they have application outside the work- place , such as at home , social gatherings , or meetings of your condo association ...
... voice , nonverbal communication , appearance , lis- tening , and relationships . Do these skills sound like they have application outside the work- place , such as at home , social gatherings , or meetings of your condo association ...
Strana 15
... voice , now , is to speak well of his friend ; his backward voice is to utter foul speeches and to detract . Stephan , The Tempest . 2 , 2 Shakespeare was especially good at coming up with juicy descriptions that captured the nature of ...
... voice , now , is to speak well of his friend ; his backward voice is to utter foul speeches and to detract . Stephan , The Tempest . 2 , 2 Shakespeare was especially good at coming up with juicy descriptions that captured the nature of ...
Strana 32
... voice , language , appearance , nonverbal communication , mental preparation * Receiver : Listening , questioning , critical evaluation * Feedback : Role switching as receivers become senders , and senders listeners * Message ...
... voice , language , appearance , nonverbal communication , mental preparation * Receiver : Listening , questioning , critical evaluation * Feedback : Role switching as receivers become senders , and senders listeners * Message ...
Obsah
XVIII | 165 |
XIX | 175 |
XX | 189 |
XXI | 207 |
XXII | 209 |
XXIII | 223 |
XXIV | 239 |
XXV | 241 |
X | 97 |
XI | 107 |
XII | 117 |
XIII | 119 |
XIV | 135 |
XV | 145 |
XVI | 151 |
XVII | 153 |
XXVI | 253 |
XXVII | 263 |
XXVIII | 271 |
XXIX | 277 |
XXX | 287 |
XXXI | 289 |
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Časté výrazy a frázy
achieve action Antony and Cleopatra apply asked attention audience Bard's better body language boss Brutus Chapter coach colleagues communication skills Coriolanus dialogue effective employees example eyes Falstaff feedback give Hamlet head hear Henry Henry IV Henry VI Here's Julius Caesar keep King Lear leader listening look Love's Labour's Lost Macbeth Marlin Fitzwater meeting Merchant of Venice munication nonverbal options Othello perhaps person poor positive preparation presentation President presidential problem props question recall receiver response Richard Richard III role San Diego San Diego Union-Tribune seminar sender session Shakespeare showed smile someone sound speak speaker speech story style success supervisor Take-Away Ideas tale talk tell thee things thou topic Troilus and Cressida visuals voice What's words
Populárne pasáže
Strana 104 - My liege, I did deny no prisoners ; But, I remember, when the fight was done, When I was dry with rage, and extreme toil, Breathless and faint, leaning upon my sword, Came there a certain lord, neat...
Strana 59 - Why I, in this weak piping time of peace, Have no delight to pass away the time, Unless to spy my shadow in the sun And descant on mine own deformity ; And therefore, since I cannot prove a lover To entertain these fair, well-spoken days, I am determined to prove a villain And hate the idle pleasure of these days.
Strana 94 - Your face, my thane, is as a book, where men May read strange matters : — to beguile the time, Look like the time ; bear welcome in your eye, Your hand, your tongue : look like the innocent flower, But be the serpent under it.
Strana 24 - Turn him to any cause of policy, The Gordian knot of it he will unloose, Familiar as his garter ; that, when he speaks, The air, a charter'd libertine, is still, And the mute wonder lurketh in men's ears, To steal his sweet and honey'd sentences...
Strana 279 - When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon myself, and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope...
Strana 147 - Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff : you shall seek all day ere you find them, and when you have them, they are not worth the search.
Strana 38 - Since once I sat upon a promontory, And heard a mermaid on a dolphin's back Uttering such dulcet and harmonious breath. That the rude sea grew civil at her song, And certain stars shot madly from their spheres, To hear the sea-maid's music.
Strana 199 - But that I am forbid To tell the secrets of my prison-house, I could a tale unfold whose lightest word Would harrow up thy soul, freeze thy young blood, Make thy two eyes, like stars, start from their spheres, Thy knotted and combined locks to part And each particular hair to stand on end, Like quills upon the fretful porcupine : But this eternal blazon must not be To ears of flesh and blood.